Theory, Articles & Reviews in Magic & Conjuring: page 4

A collection of stories, poems, and reflections about magic - inexplicable phenomena in life that impact our audience, or you as the performer. This can be inspirational or focusing for novices, amateurs, collectors, or professionals. I wrote this a decade ago as a Christmas gift for magic friends around the world, but it could be an ideal gift to others or self at any time.

"This book is written for those who have chosen to make of performance magic something more than an onlooker or student - those called magicians, conjurors, mentalists, illusionists, and magical entertainers (and their...

Magicians are exposed to all kinds of magic. Illusions, card, coin, close-up, and other types of magic pass through our hands/eyes almost on a daily basis. There is no way a magician can remember them all. But with a good backup system, bringing them back into your performance can be easy as read/follow instructions.

• Preface
• What is backup and purpose?
• Where do I start?
• Time to input information
• Cross reference sheets
• Keep it up
• Wrapping it up

1st edition 2020, PDF 16 pages.

Illustrated with nostalgic, rare photographs by Irving Desfor. Not to be read just once, but to keep as a reference ebook in your library.

• Great Writers Discuss Books, by John Braun
• Buy Lines, by Jimmy Findlay
• Quest for Magic Books, by George Jenness
• The Magician and Comedy, by Bob Orben
• The Magical Bookie, by S. R. Patrick
• Calculated Risk, by Dr. Edwin A. Dawes
• Pleasures of Reviewing Books, by Sid Lorraine
• Are Magic Books Worthwhile?, by John Mulholland
• Books About Books, by Robert Lund
• Magic Catalogues; Exciting Reading, by Dr. Grossman
• Rarities, by Edgar Heyl
• Thoughts on Lecture Notes, by Gary Bontjes ...

This volume, book three in the trilogy, is all about the psychology in magic. Mechanics alone, a sleight or move, are not sufficient to produce a strong magic effect. Dexterity by itself is more like juggling. Only if misdirection, the psychological aspect of deception, is added into the mix, will one be able to create a truly magic experience.

There aren't many good works on misdirection. This is one of the must read ebooks, a classic in the theory of magic. A shorter but modern discussion of misdirection can be read in Pocket Power by Jarle Leirpoll.

Paul Fleming wrote:

As the title suggests, this is a pure work about theory, but not old and dusty thoughts, instead a fresh and new look by Daniel Tyler. Certainly you will find topics which are as old as magic, such as 'the merit of gimmicks' and 'misdirection', but you will also find a chapter dealing with 'where to shop', which is up-to-date and includes places on the internet. This chapter alone can save you a multiple of the price of this ebook. Or what about 'getting the girl' or 'how to admire Blaine, but be yourself' - all topics that Daniel discusses. You might be shocked to hear that Daniel is just eighteen...

Harry Leat presents a great selection of cartoons with a magical theme, many of which reveal a universal truth. They will make you think, just as they will make you laugh. Harry also continues his stories from Forty Years in & around Magic.

1st edition, 1927, Harry Leat, London; 95 pages.

3. Truth
7. Your Mirror
11. Introduction
15. A Good Opening
16. The First "Palm"
17. "See the Thread"
18. Not for Magicians
19. The Flying Candle
20. Apparatus and Books
22. Chemical Magic
24. New Apparatus
25. A Great Future
26. Fakirism
28. Dreams and Reality
29. Telepathy
30. Refined Magic
31. "Uncle"
32. Mr. Charles Conyers
34. Mr. Wilfrid Jonson
35. The Modern Conjurer
36. The Good Old Days
37. Circumstances...

Magical Creation or "How to invent a new trick"

The work consists of three distinctive parts

• Part ONE renders a brief outline of magical theory. The review details most of the basic effects, major principles and means, complemented by a summary, of elementary props.
• Part TWO relates to generalities of the history of magical creation, including a survey of some of the most distinguished inventors and outstanding magical feats of the last century.
• Part THREE deals with the author's approach to magical creation, illustrating practical examples of effects and their solutions.

A primer on when, what, where and why a magician would keep a series of personal journals.

• Journals
• Magicians Journal
• Daily Planners
• Daily Journal
• Creative Journal
• Magic Files
• Dreams
• Inspiration
• Wrapping it Up

1st edition 2016, 25 pages.

From Wesley James' 1st new lecture in more than 10 Years

Not everyone will immediately recognize the name Wesley James. However, those in the know will. For many years Dr. James has been an underground secret. During his many years as a professional he refused to lecture for magicians or publish the effects he used in his professional performances. Now, Mr. James has largely retired from performing and has begun to lecture for magicians. Make Me Care are the lecture notes from his 2nd lecture series, focused purely on presentation.

Larry Jennings, Ken Krenzel, Jim Patton and Gordon Bruce would agree....

Do not stall and draw out your magic waiting for the end of your music. Do not rush your magic cutting corners and hurrying to fit the music. This text introduces you to the basic functions of music editing. Using music as background, or choreographing a routine to music is possible through editing. Take your show up to the next level using music you edit, to fit your manipulations and performance.

• Types of music
• Create your own music
• Advantages of editing
• Music editing software
• Basic overview
• Cuts, copies, and other editing
• Wrapping it up

1st edition 2021, PDF

This audio MP3 is Michael speaking on his theories of how to make your magic more memorable. It contains stories and ideas from his performance experience.

Read and search all the reviews from Magic Magazine from 1995-2005. It contains almost 1400 pages of text, over 1500 books, videotapes, DVDs and tricks from the last 10 years.

Find out if that product on eBay is worth purchasing. Search for products from your favorite creators. Search on the term "highly recommended" to find out what should be in your magic library. You can search on products you already own to find the hidden gems.

This ebook is particularly useful in combination with Jamy Ian Swiss Book Reviews. It allows you to get a second opinion on many books both reviewers covered.

2nd edition 2005; 1379 pages....

This is an early version of what would eventually become Magic by Misdirection.

A detailed analytical treatment of the principles and methods. Explores the psychological basis and its adaptation to the performance of magic. Many detailed ruses included covering the entire field. How to develop misdirection to fit all situations. What it is and how it works. The first concrete work on a subject that is common to all effects and all performers.

Paul Fleming wrote:

So, you want to be a good magician? Get these performance, routining, and creativity notes, which detail step-by-step instructions to make your magic better. Packed with time saving tips and techniques that you can use to quickly elevate your routines to a professional level. Learn how to use the Triple-Trilogy Structure and the powerful Series of Three Principle to plan your entire show. Then, you'll learn how to fully script your routines (forget about "patter"), organize your props, practice and rehearse (yes, they are different!), and conduct your business professionally.

Plus, you'll...

Mysterious Mr. Yu or Haldane of the Secret Service is a story (film script) to one of Houdini's own movie creations. It features Houdini as Haldane, a secret service agent who fights an evil ring of counterfeiters, interwoven with a love story.

1st edition, 1921, Harry Houdini; 6 pages.

The art of the conjurer.

Neo-Magic is the foundation for all of Sharpe's writing. Sharpe offers great insight into what makes magic magical. Starting with an analysis of art and its relationship to magic, Sharpe explores what he feels is needed for magic to become a fine art. He provides his insight into topics as originality, patter, styles of presentation, program construction, stage fright and others.

From the preface to the second edition:

Rumors have long persisted of an "other" IBM Ring in the city of Toronto. This motley crew of magicians, mentalists, gamblers, jugglers, psychics, university students and general dilettantes met regularly at a secret place known only as "the usual place and time" and adhered vigorously to its vague objectives of advancing the art of magic, trading gossip and exploring techniques for the vanishment and disappearance of pub foods in a collegial environment.

This is Ring 99 and these are their stories.

Includes the official Ring 99 membership oath, the Ring 99 induction lecture, "Hail to...

Audience is on the edge of their seats. Every trick is working fantastic. Getting more applause then ever before on your routines. Then BOOM!!! Music cuts out, microphone starts to feedback and the mechanism on the change bag broke while you were trying to use it. Now you are front stage holding a bag you cannot manipulate with no music or microphone ... Now what?

This ebook helps you identify potential problems. A different form of rehearsal is introduced to help you work through these situations. Good magicians smooth over problems, work through situations and still leave their audience...

Overture - Prelude - Scaffold as alternative presentation modes for crafting a magic routine (conjuring or mentalism).

What to do with a mixed or new live audience where little is known about their experience with live magic, conjuring or mentalism? (might apply to Zoom type presentations as well)

How can you discover their interest and expectations for what you can offer without wasting your best routines or risking interruptions?

This ebook will guide you through an exploration of three alternative presentation modes with a 'mixed audience' where little is known of their expectations,...

I remember reading an article about a magic trick. Not sure which magazine or issue it was in. But I want to read it again. I have two choices:

1. I can start the magazine shuffle. Issue by issue looking for the article.
2. Open a file folder on my computer. Then open the category folder and find the article.

An article written two months ago, or one that was published a few years ago can be found within...

Two things are noteworthy. One, it is a must read book for magic theory interested. Two, it has a 20 page bibliographical index of card tricks. This includes sleights as well. Anybody doing research on card moves or routines should have this index. It makes searching a lot easier. And this index might point you to interesting books you have not heard about or which are not in your possession.

Paul Fleming wrote:

The paperwork associated with being a magician.

We may think the world is going paperless and in a few industries it is. But we still have a document close by to print as needed. Many times, receipts have been printed out to correct charges on statements. People do not hire maintenance work to be done without some form of contract. The magic industry is the same.

This text covers the basic documents used. These documents range from a simple query letter to proposals/quotes and contracts. Nestled within this ebook are the basics used to form the paper trail of our performances. Though...

Paul Fleming wrote what some consider the best book reviews in magic ever. This is the collection of all three volumes, in total 167 book reviews. Many reviewers then and now chose to write largely very positive reviews, more like an ad rather than a critical review. Paul Fleming on the contrary wrote his true opinion and slammed a book if he thought it was garbage. That makes the reviews so valuable, because you get an honest and informed opinion.

The only danger in reading these reviews is that you will find many more books you will want to read.

1st edition 1942; PDF 273 pages.

The close of your performance is your last chance to make a lasting impression on your audience. It should bring the audience to the peak of excitement, energize them and leave them talking about your magic. This text identifies the goals of the close. It provides examples and suggestions to help you develop a strong, effective close. Future performances often depend on the posture you leave your audience. Pull out all the stops, use all your tools to make your close one to be remembered.

• Basic Show Composition
• The Build Up
• Close Goals
• Tools for The Close
• Sample Closes
• Document
• Wrapping...