Cards in Magic & Conjuring: page 104

Two full-color laminated Visa-type credit cards are shown. As you hold one, and move it in a circle, the image of a silver coin appears at its center, which (incredible as it sounds) you then shake off into reality!

You then explain that it can just as easily be deposited back into your bank-account and removed whenever you want it.

Once you've produced several coins, you can use the two Vortex Cards as covers for your favorite matrix routine. Stephen includes his Vortex-Matrix routine.

This is an optical oddity that you will love and use! Pop the two Vortex Cards in your wallet and...

This came about thanks to Larry Jennings' classic effect, "The Visitor". David has always loved that effect. It is impromptu, there is no setup, a borrowed deck can be used, and the effect is stunning. One day, David was playing with the routine, and began to think along the lines of, "Wouldn't it be cool if the selected card could be seen the entire time? What if the spectator could see their card sitting between the two face down cards right up until the very moment that it vanishes?" The answers, of course, are yes! Of course it would be cool. And with The Visitation these things are possible!

Here is...

How to find the guilty card despite a possible reticent witness!

An effect of mentalism, possible from a distance (in a video chat or even just on the phone), whose story is very loosely inspired by the movie "The Unusual Suspects" and in which the spectator is asked to choose five random cards from the deck. They will represent the suspects of a major bank robbery. Only one will be the real culprit. Despite the free arrangement of the cards and the various shuffles of face-up and face-down cards, in the end the mentalist will always succeed to guess all of these:

• in which position the...

This is a new Any Card at Any Number effect in which (apparently) the spectator does all of the work, and it happens all in his hands. Not only that, but the performer has predicted the entire outcome; the card and the number, far in advance! This is all true. The performer never touches the deck once the effect begins.

Here is the effect as the audience sees it: The deck is shuffled by a spectator. The performer has any spectator think of any number between one and fifty-two, but not to reveal it to anyone until asked by the performer. Nothing is written down. The number is simply thought...

An ebook of 56 late extra, new (and previously unpublished), unusual, unplanned but darned-good card tricks!

Paul Gordon doesn't (often) use fakes, extra cards, big set-ups and/or angley moves. And, he doesn't use second deals, bottom deals ...

• A Veritable Jaw-Dropper
• Four-Ace Puzzler
• Merely Thought-of Card Miracle
• Partial Faro Sandwich
• The Exploration
• The World's Most Incredible Card Trick
• Three Some
• Memory, Estimation & Magic
• Double - Quadruple Revelation
• All The Fours
• Ten To Royal Flush
• For The Boys # 2
• The Five 'n' Aces
• Betwixt and Between
• Sher-locked Holmes
• He's Behind...

A false cut that uses the action of burning a card as misdirection. Particularly useful for cheating at BlackJack.

Chuck Smith was recorded doing this cut. (A letter from Chuck Smith to Brick Tilley is reproduced in the PDF.) He used it to beat players during the years of WWII. The sequence of actions is the following. You first openly cut the cards and complete the cut. Then you take the top card, turn it face up and place it as the bottom card. During the action of burning the top card you undo the cut. The demo video will prove how honest and fair this looks.

You will receive a PDF...

More than 40 years ago Jon Racherbaumer wrote a book on the Universal Card plot introduced by Karl Fulves. This is an updated and expanded version.

• By Any Other Name – Karl Fulves
• Universal Card – Robert Parrish
• Universal Card – Francis Haxton
• Universal Ghost – Roy Walton
• Universal Mexican – Roy Walton
• Universal Joker – Horace Bennett
• Reflection – Edward Marlo
• Hypnotic Card – Edward Marlo
• Favorite Universal – Edward Marlo
• Universal Solutions – Edward Marlo
• Universal IV – Edward Marlo
• Tout’s Universal – Edward Marlo
• The Chameleon Card – Jon Racherbaumer
• Universal...

This ebook explores variations on the Universal Card theme, is part of the Yod series. Universal Card is a classic card plot in which a single card (like the joker) transforms to one at a time to match each of the selected cards. Originally posed by Karl Fulves in his Pallbearers Review, where he used the term "Universal Card", a name that caught on.

• The Hypnotic Card
• Marlo's Favorite Universal
• Universal Solutions
• Universal IV
• Tout's Universal
• The Chameleon Card
• Universal Combine
• Hypno-Versal Way
• Cervon's Universals
• More Universals
• Not Quite Ambiguous Universal
• Full-Circle Universal
• Open-Faced...

"I've been doing magic 40 years, and this may be one of my five favorite tricks. Excellent thinking. Hard to top." - Clyde Hayre, US.

LOVE IT! I've been looking for a trick to help promote my business and this is perfect as I trade under the name "That's Magic" - Barry Harvey, UK.

You get 16...

"I've been doing magic 40 years, and this may be one of my five favorite tricks. Excellent thinking. Hard to top." - Clyde Hayre, US.

A spectator is asked to throw three fair dice (this is an absolute fair throw or even just a mental throw - no force here). From the number fairly thrown you construct a perfect magic square. For a kicker, the cards are put together and the face of a King of Hearts appears.

There is no palming of cards or exchanging of decks or anything like it. You work with 16 cards and 16 cards only without any sleight-of-hand.

You get 16 specially printed cards...

An effect by Ken de Courcy. Performed by Aldo Colombini. A terrific three-phase routine with jumbo cards. Having enticed a spectator up to help, you hand him eight jumbo cards and say, "Please give me any four and keep four yourself." This done, both you and the spectator carry out some simple movements but when the cards are counted again, all your cards are face down while the spectator has one face up. This process is repeated with exactly the same result. There is obviously only one answer; the spectator will have to do the actions with both packets. He does so, yet your cards finish up all face down...

Two decks are shuffled by a spectator. His/Her choice who gets which deck. They each choose any card, and it will match. Don't be put off by the simplicity of the trick, as it can be repeated over and over again and still impress each time.

1st edition 2021, PDF 5 pages.

After explaining his effect 3H in his ebook More Plots and Methods (2021, p.25), Michal Kociołek writes:

This ebook contains my solutions to his challenge. The routines range from impromptu to stacked, though the majority of the effects can be done with a borrowed deck of cards and no preparation. Those...

It was none other than Channing Pollock who stepped forward with this keen endorsement of Ian Baxter's The Turnstile Pass: "Beautifully written and detailed. Yes, I recommend it! And - I just love your self-deprecating humor." A smooth card pass that enunciates the importance of using a distractive move to cover the mechanics. Three first rate effects are included as well.

The Turnstile Pass is Ian Baxter's variation of a Hermann style pass that does not require a turnover of the packet, as is typically the case with Hermann type passes. As a bonus you will get three routines using this pass: ...

"It's a BEAST! Nice work!" - Liam Montier

"Great, solid commercial stuff like you ALWAYS do, Cam." - Jack Carpenter

"It's really f***ing GOOOOD!" - Dave Forrest

Three amazing effects. One professional grade routine... This is The Triple.

If Triumph, The Collectors, and a color changing deck effect all got together and had a baby, it might just look something like The Triple. Cameron Francis delivers another knockout multi-phase card routine that's truly amazing to witness but devilishly simple to execute. No gimmicks. No difficult sleight of hand. Just a truckload of powerhouse magic. Perfect for the professional...

This is a card act rather than a single trick. It is a full-deck effect, tells a story, has audience participation as spectators become the characters, is full of magic, and has an ending that no one will see coming that will fry the audience. It is called, The Tournament, and it will convince your audiences that you are the greatest card cheat of all-time. There is no false dealing, which means that the dealing portions of this routine are all self-working. The finale of the act is a mind-blower and brings everything to a logical conclusion.

Two methods are provided, one which utilizes the...

This was the publication that taught me the Three Card Monte many years ago. It has all you ever need on this wonderful performance piece - and then some.

Erdnase writes in Expert at the Card Table:

"There is not a single card feat in the whole calendar that will give as good returns for the amount of practice required, or that will mystify as greatly, or cause as much amusement, or bear as much repetition as this little game!

Vernon performed it reciting:

"A little game from Hanky Poo, the black for me, the red for you - all you have to do is to keep your eyes on the little lady - ten gets you twenty - twenty...

I started from Karl Fulves' idea called "Voodoo Cards", published on pp. 588-589 of The Pallbearers Review, Vol. 5-8 (November 1969 - October 1973), where a series of five effects proposed as bets are described, with the use of only three cards or tickets written on the spot. Always winning bets and of immediate revelation at first glance, also considering the fact that there are very few elements at stake and the (perceived) probability of success is 50%.

I propose an evolution of Fulves' work with three effects based on the same kind of principle, characterized by an apparent increasing difficulty,...

Card feats for the mentalist. This book has 14 effects that Al Mann judged sufficiently amazing enough, and plotted well enugh, as to be suitable for the mentalist to perform. Also incuded is a chapter of Olof Jonsson’s card mentalism stunts, 9 total, with full methedology. Jonsson was the Uri Geller of his day, so these additional 9 effects are also excellent fodder for the Mentalism show. The Contents:

• The Pros and Cons
• Do’s and Dont's
• The Flight of the Psycards. - Signed cards to wallet – Without touching the deck.
• Domination of Thought
• Caster and Pollux
• The Devastators
• The...

Twenty-five pages of previously unpublished information on successful pitching – tips, ideas, and insights from highly experienced pitchmen. What to wear, details on the joint, and more. A valuable addition to the Don Driver Svengali DVD on pitching the Svengali and the Don Driver Interview.

1st edition 2009, PDF 25 pages.

The Comprehensive Guide to Making Money Pitching Svengali Decks

Hundreds of thousands of dollars have been made on selling the humble Svengali Deck and yet few people ever learned the inner secrets of how to pitch the deck successfully. This DVD fills that shortage.

Don Driver pitched for twenty-five years all over the country. He learned his pitch from S. David Walker, the Grand old Man of Svengali pitching who has been at it since the early 1940s. Mr. Walker learned from Mickey MacDougall, the creator of the Svengali pitch.

Explained in detail is a pitch that has been polished and...

This is a new effect from Devin Knight's recent East Coast lecture tour. It uses a special Svengali deck in a way that magicians will never suspect. So you know, you will need to own or buy a Svengali Deck and gimmick it to do this trick. Take this to your next magic club meeting and puzzle the members.

EFFECT: The performer shows a deck of cards and mixes them. He invites a spectator to stop him as he deals the cards face down on the table. The person can stop him anywhere in the deal, there are no restrictions. The performer deals until the person says stop. The performer shows the card...

The Stripper Deck has nothing to do with a girl shedding off her clothes, but rather is a specially gaffed deck. However, the gaff or preparation is not noticeable with the naked eye. It can even be handed out to spectators for shuffling and cutting. This manuscript outlines various moves as well as tricks with the Stripper Deck. Practically all effects can be achieved with pure sleight of hand using an unprepared deck. But the Stripper Deck simplifies the handling and makes miracles possible without difficult moves, leaving you time to focus on the presentation.

Paul Fleming wrote:

A deck is borrowed from a spectator. The deck is shuffled by the spectator. They select a card and commit it to memory. Nothing is forced, no card is mentioned out loud.

A second spectator is thinking of any number between 1 and 52, the card is replaced and the deck is further mixed. Nothing is forced, no number is mentioned out loud.

Only after both spectators are satisfied with the random state of the deck are the freely chosen card and number named out loud (only if they want! This information can stay unknown to the performer the whole time.)

The performer does not touch the deck,...