Patter, Plots & Scripts in Magic & Conjuring: page 2

A reworking of the 6 Card Repeat like none other. Using no gimmicked cards, the trick has a funny and visual plot, and for once a true climax.

Are you looking for a methodology and script for the 6 Card Repeat that steps outside the usual plot of "I saw a guy count 1,2,3,4,5,6 cards, throw away 1,2,3 and he still had 6 cards"?

Because let's face it, the story is silly, doesn't have any spectator 'hook' nor does it have a recognizable climax beyond the weak ending of "And I still don't know how he did it."

Well, the author of How To Write A Script shows you how he used his methodology to adapt a script...

This is a complete script and revised handling for the COUNTING ON LOTHAR trick, perhaps one of the strangest and mystifying card tricks around. It allows the magician to predict the past, the present, and even the future.

One of the more difficult tasks facing magicians is coming up with scripts – of any sort. Especially a script that has to account for dealing and counting processes, unusual display processes, and a trick that has no climax. This is a complete script and revised handling for the COUNTING ON LOTHAR trick, perhaps one of the strangest and mystifying card tricks around....

Imagine being able to control coincidence. Where the time and location of two events determines the outcome of the events. This script and full instructions explains how.

Imagine being able to control coincidence. Where the time and location of two events determines the outcome of the events. Now you can!

The magician removes a BLUE backed card from his pocket as he talks about coincidence, and how coincidence is decided by two factors: physical proximity and time. He has someone sit on the card. He then removes a RED backed deck from his pocket, and spreads the cards out front and back...

This is a complete script and revised handling for the Grandmother's Necklace principle, which not only fools people, but entertains them.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. Especially with a trick that is old and tread worn, like Grandmother's Necklace. This is a complete script and revised handling for the Grandmother's Necklace principle, including a variation in how the trick works.

The effect is that the magician, using 2 volunteers from the audience, causes 2 differently colored ropes to completely pass through the spectators'...

A script and method for the Rising card trick where the spectator goes through the deck and selects the card to rise. Can be done within inches of the audience with no sleight of hand.

One of the more difficult tasks facing magicians is coming up with scripts - of any sort. A script that highlights the magic while still being relatable to the audience.

The effect is that the magician shuffles and then hands the spectator the deck of cards, while explaining that he's going to do a trick onehanded. The spectator HIMSELF removes one card and puts it face down on the table, and then gives...

For all performing venues, the classic monte style trick, scripted in two different ways to allow the trick to be performed at any time in your parlor/stage routines.

Note: The trick is not fully explained. You MUST own the trick to be able to perform this.

For all performing venues. The classic monte style trick, scripted in two different ways to allow the trick to be performed at any time in your parlor/stage routines. The scripts also removes any "sting" for the spectators, simplifies the handling, and fools the spectators while giving the trick an understandable, clear, and amusing...

Many performers are called upon, at one time or another, to host a show. Now you can prepare yourself in advance, to deliver a dynamic and exciting performance. Whether it's for a talent show, a two-hour evening show, or a variety telethon in front of a TV audience, being the Master of Ceremonies can be a fun and rewarding experience - if you know what you're doing.

The authors, who have performed as emcees for magic shows, beauty pageants, fairs, outdoor festivals, in hotels, and on theatre stages for hundreds of performances, reveal all their tips and secrets in this easy-to-understand...

The pro guide to better compèring.

From the introduction by Billy McComb:

1st edition 1984, 13 pages; PDF 14 pages.

The trick PictoTranspo by Gene Anderson is a wonderful reframing of a Roy Johnson trick. In the trick, two large pictures - one drawn by the volunteer - swap places, even though the pictures are marked on the back with the volunteer's and magician's names.

A logical and funny script is included that covers why the trick is being done, and even allows you to pick any volunteer.

Note: This trick is not fully explained. You must own the trick to be able to perform it.

1st edition 2021, 17 pages.

The reader will find in this volume witty and appropriate patter suitable for almost any and every trick. Including patter and hints for tricks with coins, eggs, birds, handkerchiefs, bird cages, oranges, ribbons, bottles, glasses, water, tubes, etc.

• To The Reader
• Opening Remarks
• Patter For Aerial Treasury Act
• Chosen Orange And Mystic Ribbon Trick
• The Egg And Handkerchief Trick
• Bagged Canaries And Cage Trick
• Handkerchief Manipulation Act
• How To Construct Patter
  • Bits About Bottles
  • Gags On Glasses
  • Tube Trifles
  • Water Witticisms

1st edition 1927, 14 pages; PDF 14 pages.

A further selection of magical patter and other novelties, including chapeaugraphy and papertearing.

• Patter for Card Manipulation Act
• The Never-Empty Glass of Water
• Selbit’s Sugar and Milk Trick
• Paper Tearing
• Chapeaugraphy
• An Introduction to a Dumb Show
• Miscellaneous Gags

1st edition 1927, 14 pages; PDF 12 pages.

Here's a cool new ebook that everyone should have. How many hundreds of dollars have you spent on tricks you don't use? Well here's a priceless collection that includes some hilarious ways for you to 'select' someone to help you on stage or for close-up.

There are visual gags, a few one-liners and a dozen or so fun ways to involve your audience. From frisbees-to-fruit, you'll win them over before you even begin with these brilliant bits of business.

We love the 'Pineapple in the bag' gag which is so much fun and a guarenteed laugh-getter! Plus, there's a very clever bonus trick called...

The world has changed - radically! Being an entertainer and telling jokes has gone from 'having fun' with the audience to complaints about every possible issue. Political Correctness now rules. Whatever your view on the issue, the new reality is that all entertainers now need to be more aware than ever before not to offend an audience member. Hence the need for one-liner jokes that are non-political, non-religious, non-sexual, and just about non-everything.

As much as is humanly possible, jokes from past books and new ones have been combined in the ebook that will 'hopefully' not offend anyone....

Want to make your show different? Can't figure out how? We all do some of the same basic skits in our hypnosis shows and it is time to stop. It is time to take control of your show and make it DIFFERENT! In this skit building workshop you will discover the secrets of making your show Unique and creating a show that uses classic skits but in a different way than everyone else.

Price is Just $7 You cannot go wrong!

[You will receive a PDF workbook and an MP3 audio file. Download both from your digital shelf.]

workbook 10 pages, audio length 18 minutes.

The next time you select a volunteer for one of your magic routines, why not play a quick game of chance to decide who the volunteer's going to be? Yet . . . do so with total confidence that the person you want to use in your show is always the one who wins the game.

Here are two different versions where numbered word cards are selected by various members of the audience and then read aloud in numerical order by the audience members. From experience, it is strongly suggested that you consider using both versions in the same show. Both times you use these cards the audience laughs louder...

From the introduction:

• Just a Word
• Drum Head and Casatte
• Orange and Ribbon
• Astra Floating Ball
• The Rice Bowls
• The Hindoo Lota
• The Cards...

A collection of stories of the supernatural. These are great starting points to develop your patter for bizarre or otherwise weird and scary plot lines.

• The Guide (Irene Amesbury)
• Call of the Pool Goddess (John C. Craig)
• The Room without Windows (W. P. Cockcroft)
• The Bride of Yum-Chac (Henry Rawle)
• The Fulfilment (Alexander O. Pearson)
• Sir Rodney keeps a Date (Andrew Ringwood)
• The Window (Winfred M. Carnegie)
• Binker's Ghost (A. C. Bailey)

PDF 58 pages

Excerpt from the Preface:

• Introduction
• Opening Patter
• The Chinese Rice Bowls
• Coffee, Milk and Sugar Trick
• The Enchanted Bird Cage
• The Aerial Treasury
• The Magic Duck Pan
• The Flying Bird Gage
• The Mysterious Clock Dial
• The Traveling Bottle and Glass
• The Rising Cards
• The Multiplying Billiard Ball
• The Floating Ball
• The Ten Ichi Thumb Tie
• The Mysterious Linking Rings
• The Japanese Wonder Bowl
• Closing Patter

People who know comedy recommend Ken Allen's Pilfered Patter as the book to get. Don Lawton, Bill Larsen Jr., John Braun and other professional entertainers and comedy writers raved about the material in Pilfered Patter No. 1. But we didn't stop there. Introducing Pilfered Patter 1.5, the new and improved ebook of comic monologues, one- and two-liners, gags, jokes and funny stories to intersperse during or between effects in your routine.

Nothing is off limits - not even sex - which is why this ebook carries a warning that it may not be appropriate for those under 17 years of age. (There's...

From the Foreword:

• Foreword ...

As entertainers we must use every tool available to delivery our magic to the audience. Body language, often not considered, enhances the connection, compliments the communication and directly impacts the entertainment factor. This ebook identifies body language. It is an attempt to bring the skills associated with theater into the hands of the magician. We have to play to those in the back row and balcony. The best approach is to entertain using your full body.

• Body language
• Body elements
• Timing and body language
• Body language comparisons
• Wrapping it up

Excerpt from the preface:

A presentation for any book test that uses the flashback method.

Have you heard of the Bookbearer? This is a storytelling, bizarre presentation to be used with any book with the "flashback" principle. If you own such a book, you could use this.

I see many performers using such books, some presentations are good, but most are not as they merely riffle the pages, tell the subject to stop them and remember the first word on the page, and then reveal it. Bah. Here you will tell the brief story of the Bookbearer, and in the end, either subtly suggest you're the actual Bookbearer. Or that you're...