
The real-life tale of a hometown magician.
Once Upon a Magic Show is the inspiring, funny, sometimes poignant story of how a self-styled "ordinary Joe" from Ann Arbor, Michigan, grew up to become an accomplished "Magic Man," who, for decades, brought joy and amazement to audiences of all ages.
From the moment his third-grade magic routine came to its hilarious conclusion, Daryl Hurst was certain his vocation was to be a magician, someone whose innate talent was destined to cement his hometown reputation. Indeed, Daryl's school years were marked by steady acquisition of the tools and experience...

The Society of American Magicians was founded in 1902. Their first society journal was published in October 1911 on the suggestion of Charles Roltare. The currently serving president was the editor. Its content is a mix of meeting notes, news, opinions, and articles on historical matters, a good portion of which has been contributed by Harry Houdini.
1st edition 1911, PDF 821 pages.

On the occasion of the 10th birthday of the Unknown Mentalist (yes, the Unknown Mentalist was born in 2015 and he is now all of 10 years old), for the next 10 weeks, you will be able to buy Special Bundles every week for never-before & neverßagain prices. Each Special Bundle will be live for only 10 days. So watch out for the Lybrary newsletter every week as this is exclusive to Lybrary only. You can catch the Special Bundles on the "On Sale" page of Lybrary also. The biggest buyer of Special Bundles during these 10 weeks put together will get a Nostradum Wallet worth $63 free. This special...

In the art of magic, the ultimate goal is to create a moment of pure, unadulterated astonishment - an experience so clean and impossible that it transcends mere trickery and feels like real magic. For the spectator, this requires an effect built on a foundation of total fairness. The challenge is to guide them to a place where the only remaining explanation is: your spectator has just experienced the impossible.
Effect: Imagine this from your spectator's perspective. You are handed a deck of cards. You inspect it and shuffle the deck. When you are satisfied, the magician turns his back....

Five effects that connect into one routine.
Tired of forgetting your best tricks when an audience asks for a spontaneous performance? Magic a la Card solves the routine problem, offering a complete, five-effect card set that requires zero sleight of hand. This is a fully sequenced act designed to build in crescendo to a powerful climax: a sleightless Card in the Wallet effect. From the psychological deception of The Lie Detector (where the back of the card predicts the outcome) to a modernized 21 Card Trick and an impossible Mathematical Prediction, the pack is prearranged, and the tricks...

Annemann's Synthetic Sympathy is a long-regarded classic of card magic, with a history dating back to 1921 when Charles T. Jordan put out his original version. Annemann slotted it into an early edition of his magazine The Jinx. It took off like wildfire and Jean Hugard promptly included the Annemann update in Encyclopedia Of Card Tricks, further enhancing its popularity. Then Max Holden jumped on the bandwagon and published it yet again, including it in his Annemann compendium Full Deck Of Impromptu Card Tricks.
Holden was particularly...

This ebook contains only five card tricks that require some additional help, a gimmick, or an altered card. Presented is a variety of straightforward effects with little demand on one's skill in sleight of hand.
1st edition 2025, PDF 20 pages.

This is Cedric Richardson's routine that uses just a normal-looking paint book, with black and white drawings, ready to colour by the children. What could be simpler? They often say 'Keep it Simple' and that's what Cedric did. Yet he managed to introduce real, solid bits of business which made his routine stand above all others.
1st edition 2000, PDF 8 pages.

1st edition 1925, PDF 41 pages.


1st edition 1923, PDF 41 pages.

1st edition 1922, PDF 55 pages.








Note that numbers 11 and 12 were never published.


Eine Weiterführung in der Kunst, mit Karten zu zaubern.
Roberto Giobbi's Grosse Kartenschule, bisher in acht Sprachen erschienen, ist die am weitesten übersetzte Buchreihe in der Geschichte der Zauberkunst. Jede Version wurde zum sofortigen Bestseller.
Es ist die umfassendste Publikation ihrer Art und wurde von Fachleuten auf der ganzen Welt als die "Bibel des modernen Kartenkünstlers" bezeichnet. Dieser fünfte Band enthält die detaillierte Beschreibung von weiteren modernen Techniken und Methoden, über 30 der besten klassischen Kartenkunststücke, sowie zahllose theoretische und...

The Gombert Pass, as published in the Gen Volume 22, Number 3, July 1966, has a complicated and mysterious past. At some point, some card experts believed Gombert was a pseudonym of Edward Marlo. Jon Racherbaumer traces its history and finds and connects with Jan Gombert, the author of the article in the Gen.
1st edition 2004, PDF 25 pages.

An original series of 25 silhouettes. As presented by William Hilliar for three consecutive months at the Great Paris Exhibition, 1900.
1st edition 1900, 47 pages; PDF 28 pages.

An adaptation of a classic card routine - the Spades 1, 2, 3, and 4 travel between the top and bottom of the deck, finally gathering together on top. Just when you think it's over - no, the magic has only begun. The Spades 5, 6, 7, and 8 appear on top of the deck, the Spades 9, 10, J, and Q appear on the bottom, and the final Spade King rises to the very top of the deck. For full details, see the performance video.
1st edition 2025, video 8:00.

Effect: The spectator freely selects a card under the fairest of conditions. It is lost in the deck by the spectator. After placing the cards in the cardbox, it is wrapped in a handkerchief. The spectator holds the handkerchief and gives it a shake. His card falls to the table.
Description: This is a classic of card magic. Under the fairest possible conditions, a spectator selects a card from a deck that he has shuffled. The deck is placed in the cardbox and wrapped in a handkerchief. It is dropped by the spectator instead of the magician. This version uses an ungimmicked opaque handkerchief...