Cards in Magic & Conjuring: page 70

"Flat Pack packs quite a punch!" - Stephen Tucker

"Flat Pack is cool as Ice. Love it!" - Tony Chris

Inspired by David Regal's "Sudden Deck" and Stephen Tucker's "Tardis Deck".

You display an unfolded card box, and clearly show it inside and out. You then proceed to fold it up, snap your fingers and slide a full deck of cards out of the box! It's that simple. It's that effective.

Flat Pack is great for close-up as well as stand-up work. It's super easy to make, and the angles are great.

1st edition 2014, length 20 min.

"Brilliant T&R! One of the best I've seen!" - Tony Chris

"Vivid is the strangest T&R card routine I've ever seen!" - Stephen Tucker

Introducing a wild test of a spectator's imagination...

A card is selected - say, the King of Hearts - and placed inside the card box. A second card - say, the Five of Spades - is then selected and lost in the deck (really, it's completely lost!). You ask your spectator to imagine that she's tearing off a corner of the King of Hearts. You then ask her to imagine taping that corner to the back of the Five of Spades. The magician removes the King from the box...only...

Cards to impossible location has always been a big hit with spectators. This routine by magician Ray Noble has entertained people for a number of years. It hits hard and takes no prisoners along the way.

The magician has three cards selected and at least one signed with a marker. Each card one at a time are placed back into the deck and the deck is set aside. The magician now asks if everyone would like to see him find all three cards in a magical and amazing way. With a wink and a smile, he reaches with an empty hand into his shirt or coat pocket and removes one of the three cards. How did...

From the introduction by David Jones:

"Paul has a rare gift of taking simple effects and turning them into Stunners! SIX EASY - TO - DO CARD MIRACLES is No Exception!" - Bob Solari

Six amazing effects that you will proudly perform. Five of these effects are very easy to do...but Ghost Collectors will provide a challenge for the card guys.

All of these card effects are routined for performance for any audience - complete with patter. At only $8.00, you will have six "workers" on tap that you will love to perform - and, you can use a borrowed deck. How's that?!

Also included is an Introduction in which Paul provides...

This is number two of the Paul Diamond "Gems of Magic Book" series.

Roger Klause writes in his foreword:

[Note: If you purchase this together with Sunken Treasury: Part 1 and 2 and Sunken Treasury: Part 3, 4 and 5 you will get The Catch-All Principle for free. Discount is automatically applied in the shopping cart. Also applies if you have purchased the entire Sunken Treasury in the past.

The Catch-All Principle allows you to covertly position a free selection at a predetermined position in the deck. It does this with the help of two key cards. The real strength and novelty of this principle is that at crucial moments the spectator is free to cut the deck, which makes it seem impossible that the selection will end up at a predetermined position - but it does.

Perhaps the best use of this principle...

Lewis Ganson, mostly known as author of magic books, was also himself an expert stage card manipulator. This ebook is a complete course in the art of manipulating playing cards, from back palms, to catching cards, card fans, flourishes, gimmicks and holders, and how to put it all together into a routine.

Paul Fleming wrote:

There are 5 Powerhouse routines included in this ebook!

The introduction is worth the price of the entire e-book. Paul teaches many salient points for improving your performances. He teaches how to use patter and actions to provide your spectators with that "warm fuzzy" feeling. Move your magic to another level.

Paul also teaches you how to turn bad situations into great ones. His advice will teach you how to take advantage of situations and comments made by your spectators to turn your performances from good ones...into GREAT ones and how to recognize these situations in other tricks. ...

Transpositions are a staple in magic. The basic effect is simple: two objects switch places. That is it. What David has done in this eBook is that he has come up with five different ways to accomplish the transposition of selected playing cards.

The methods range from super easy to...well...not hard but not as super easy as some of the others. Some of the methods are totally impromptu, while others require a small amount of setup.

Those of you who are familiar with David's work already know that he does not like difficult sleights or overly complicated methods. So, you will not find any...

This ebook features six presentations by Edward Marlo, one of the most prolific producers of card magic ever known. My criteria for selecting these six presentations was to pick effects that stressed subtlety and psychological cunning and required little or no difficult sleight-of-hand. The irony here is that such tricks are seldom associated with Marlo, even though he devised scores of easy, semi-automatic tricks during his career. But don't despair. The ones in this ebook run a gamut.

Cozy Card to Case is a subtle version of an ancient trick dating back to Walter Gibson's Popular Card Tricks. Most versions are based on miscalling a...

This is mostly an ebook on card magic but it also has a few effects with coins, dollar bills and cigarettes. By far the best routine in the ebook is the "Ten Card Poker Deal". It is a hugely entertaining, dynamic routine in which ten cards culled from the deck are dealt into two poker hands in a multitude of ways, but somehow, the magician's hand always ends up winning. The effect is virtually self-working and Harry's routining turns it into a real reputation maker.

From the Foreword:

This is number four of the Paul Diamond "Gems of Magic Book" series.

Being a treatise on sleight of hand and including a fabulous "Eye-popping opener".

• Introduction
• The Close-Up Change
• The Flick Change
• The Turn Down Change
• Using The Table Changes The Double And Triple Transposition
• Room At The Top (An Ambitious Card Routine)
• An Eye Popping Opening Routine
• The Revolving Color Change
• Triple You Do As I Do (Impromptu)
• The Dunbury Delusion Outdone
• A Variation In Handling
• The Excedrin Headache
• The Instantaneous Steal
• The 21st Stunner
• The 22nd Stunner
• Impromptu Psychometry
• The Expansion...

This ebook's purpose is to teach something about the art of close-up card magic; not just to describe some card effects. Each chapter consists of three parts:

1. the text
2. captioned drawings
3. a summary of moves and sleights

Scott F. Guinn tips every detail of Pro-Mega, his blockbuster multiple location routine for parlor, platform and stage!

Seven audience participants each freely select and sign a card. The cards are lost in the deck and then each card is found in a progressively more impossible way. The amazement and amusement grow to an unbelievable crescendo with the revelation of the last card, which has been in full view in an impossible location since before the show began!

Scott is a seasoned pro who has used this pet routine in his professional performing repertoire for decades, often as the closer...

Turn your card box into a devilishly sneaky peek device!

It takes 3 minutes and 42 seconds to make, and requires no special materials.

Two applications are taught in detail:

• A 2-phase ACAAN routine, which also includes a presentation idea to make the ACAAN plot meaningful.
• Two-Behind: You read the mind of their imaginary friend, AND guess the name of their friend.

1st edition 2015, 9 pages.

From the professional repertoire of popular author Scott F. Guinn comes a powerhouse six-phase feature card routine, Vicissitudes. The meaning of "Vicissitudes" is "a succession of alternating changes," and that is exactly what happens in this magical routine. Two cards repeatedly change places in very visual and shocking ways:

1. The JH changes into the 10C in midair and then the JH suddenly and visually appears on top of the deck.

2.The 10C is at the face of the deck, the JH inserted, reversed, in the middle. Suddenly the JH is at the face and the 10C reversed in the middle.

3.Both...

Working Progress is a short ebook of six tricks that I use when working for real, live human beings. They're all practical tricks that work in pretty much any performing environment you could possibly find yourself.

Inside you'll find a cool transposition that you'll love to perform, a chop cup routine which includes TWO fabulous endings that get round the awkward "putting the lemons back into your pocket" reset moment, a great use for the Phil deck that you can use for parlour performances or to open a set at a house party, plus there's a routine for the card to wallet that doesn't foreshadow...

This effect is a variation of an effect called ACAT (Any Card At Any Time), extracted from CLUE ebook. It can be presented with playing cards, or special cards (like the Vernet PSImbol deck, or movies (like Directors's cut or Screen test), French postcards, etc.), or just with blank index cards or your own business cards (with drawings, symbols, words, numbers, etc. on the back). It is not a card trick, but rather a mystery or paradox.

It is hands-off, automatic, self-working, can be done over the phone or sight unseen, stand up, close up or stage (with jumbo cards). It is easy, practical, and...

Effect:

The spectator selects a card from the performer’s deck and does not reveal it to the performer until requested to do so. The performer then shows a packet of four Jokers to the spectator, displaying the faces and backs of all four cards. He then asks the spectator to wave his selected card over the Jokers he is holding in his hand. When the performer turns the packet face up and displays the cards, they are no longer Jokers! Instead, all four cards are now identical to the spectator’s selected card!

But that’s not all! When the performer squares the four cards back together,...

A comedy card on seat routine with a twist.

This one is an absolute killer! Scott's Comedy Card on Seat routine uses a different method from the well-known Chuck Fayne or gaffed chair routines. The audience participant joins you up front and sits in an ordinary chair. Then, while you look away, he selects and signs a card, replaces it anywhere he wants in the deck and thoroughly shuffles the deck before returning it to you. After some fun, and very amusing byplay, the card vanishes, followed by a kick-in-the-head moment that NOBODY sees coming, before it is revealed that he is SITTING on...

A feature show-stopping mentalism routine

NOTE: While the description below describes the effect using a seven-digit phone number, it can also be done with ten or more digits to cover area codes and country codes if required. Scott explains this in the ebook, as well some other options.

You remove a deck of cards from its case. To preclude the possibility of any sleight-of-hand, you put it in a clear glass tumbler, holding it up for all to see, the face of the pack toward the audience. You begin moving cards, one at a time, from the back of the deck to the face, and seven audience members...

Five old chestnuts from the literature of card magic which were given the Baxter 'treatment', resulting in streamlined handlings and giving these venerable plots a breath of fresh air.

Underhanded Overhand is an extremely well finessed handling of the old ruse of appearing to have the entire deck shuffled with each half being shuffled independently.

The Cross Cut Force has been around since the 1920's and has remained virtually unchanged ever since. It is a simple move, but difficult to perform convincingly. Ian has taken another tack and by slightly changing the choreography of the move,...

After fanning the cards to show they are mixed the performer places the deck on a small table or hands it to someone to hold, at which point he never touches or even approaches the deck again. Next, the performer, in order to prove no stooges are being used picks up a box that is filled with paper balls and slings it in an arc over the entire audience asking everyone to catch or pick up a ball near them. When a number of the audience are holding paper balls, the performer reveals that three of the balls have a second red paper ball concealed inside the white. When the three people find...