A selection of 40 unpublished mentalism routines from the fertile mind of Ian Adair.
In the dimly lit chambers of an old book store, tucked away in the heart of an antiquated town, I stumbled upon a handwritten booklet that would alter the course of my journey as a mentalist and psychic entertainer. The booklet, tattered and cloaked in mystery, beckoned to me like a siren's call, promising revelations of an enigmatic world that had long faded into obscurity - the world of a Vaudeville Mind Reader. As a seeker of esoteric knowledge and a student of the arcane arts, I would unearth in this dusty place a small treasure of wisdom that transcended most of what I had encountered...
An envelope is shown and a single card removed from inside, but not shown. The envelope is otherwise empty. This card is a prediction and is replaced into the envelope and left in view. Six Jumbo cards are freely and openly displayed and various spectators are asked to choose any of the cards to eliminate until just one is left.
Despite the fact that there is genuinely no force or selection control, the prediction card exactly matches the randomly arrived at selection.
This direct effect is ideal for a close-up or parlor show.
video 7:12.
A strong, original, easy, self-working, playing card method and routine where you introduce fortune teller Lucia and tell the subject she had an interesting and peculiar way of doing fortune telling readings and you'd like to show it to them. The subject will have three important choices to make leading to a baffling and mysterious conclusion.
You can convincingly point out in the presentation that a different choice would've led to a different result. That's clear. Yet the whole thing seems to have been mysteriously ordained, and the subject is blessed with a positive message.
The method...
Setterington offers an alternative presentation theme for a mentalist who does not want to perform like a mentalist. Rather than claim you can read minds or predict the future, you are demonstrating how people can be influenced and persuaded without them knowing or feeling influenced.
What is "Power of Persuasion"?
P.O.P. . . . is a lecture/demonstration, using simple items, which can be carried in a brief-case.
P.O.P. . . . is a fresh approach to mentalism, which blows away the cobwebs of the past, eschewing the supernatural or prenatural, making it acceptable to modern audiences. ...
"Ross and Fraser are on the cutting edge with their avant-garde approach to Modern Mentalism" - Peter Turner
Rapture is Ross and Fraser's debut 2 DVD disc set containing some of their best work and is now available as a download. Featured are live performances and in-depth explanations of some of Ross and Fraser's favorite utility methods from their previous releases as well as never-before-seen material. These methods will allow you to read the minds of your participants effortlessly and in a way that will make what you do appear real.
Principles taught include Ross's "Double-Think re-frame",...
The ebook starts with a strange story, a neuroscience-biology lesson, and an unconventional cunning opener; the cunning in which lies in our body's response to this opener as we explore the how and why of "exploiting" our natural biology. An underlining theme in this book is about setting ourselves apart from other performers, disguising our methods, and breaking down preconceived beliefs - and that is exactly what this opener, which requires strong audience management, does.
Disconnecting Doodles - My Closer
This is the explosive double drawing duplication and energetic surprise kicker...
"Henry Sugar is an incredibly clever effect and one that I will actually perform. I don't say that for many effects. As far as I'm concerned, Liam Montier is one of the most original magicians I've ever met and he is my main inspiration to create new magic. Pretty much everything he touches has a big hint of creativity and an even bigger hint of "I'll kick you where it hurts!" - Andi Gladwin
Liam Montier presents a stunning easy to do mentalist card trick based on a well-known short story by Roald Dahl, called "The Wonderful World of Henry Sugar".
The basic plot of the story is that...
One helper reads the mind of another.
A brilliant, simple self-working mentalism effect. Includes bonus effects.
Different cards with drawings on them are shown to a spectator and genuinely mixed. A spectator selects any one of them - it's a free choice. All she has to do is then think of the image and try to send her thoughts to another spectator who is going to draw an image on a pad. After a few seconds, the second spectator sees an image and draws it on to a pad. The lady reveals the image she was trying to send, and then the spectator shows his pad - they have both been thinking of...
A rare book for the stage mentalist that originally sold for the equivalent of $88.00 in today's money. When we say rare, it was no longer listed after its appearance in the Nelson Enterprises Catalog No. 6 in 1927.
Covers the best equipment for psychic entertainers to use in their act, seven psychic tests for stage performers, the namesake Perfection Crystal Gazing Act itself and how to perform it, requirements for presenting the act, a sample Q&A reading, and a good amount of professional advice.
Also includes the all-important introductory lecture that sets up the act and gets the audience in a receptive mood for...
Until a few years ago it was possible to propose an interesting effect, using a euro banknote (any), which the spectator took out of his wallet. The serial number consisted of a letter, which identified the country, and a series of numbers; the essential feature was that each country had its own control code; by removing a number it was possible, through a procedure that we will see later, to identify it.
Then new banknotes were printed, with a new type of serial number (before it had a letter, which indicated the country; now it has two letters, the first identifies the country, the second...
Are you ready to astonish and captivate your audience like never before? Look no further, as we present to you the most awe-inspiring and mind-boggling act you can perform: The Great Eyeless Vision Act! Imagine a performance that defies the very laws of perception, where your eyes are blindfolded, yet you effortlessly identify and describe any object offered by the audience.
The grand finale of this extraordinary act involves duplicating the signature of an unknown spectator - a feat that seems utterly impossible. Unlock the closely guarded techniques to pull off this mind-bending climax...
Psychic Selection - a parlour routine in which a spectator cuts to a card that he has in his mind
A pack of cards is shuffled by a spectator, replaced in its box to prevent it from being tampered with, and then handed back to the spectator for safekeeping.
An important member of the audience is then invited on stage. This person could be a principal guest at a party, the function organiser, or a CEO/owner/director at a business event.
The performer explains that before the show he approached this spectator and invited him to decide on a card, any one of the 52. He asks the volunteer...
The performer hands a coin to one of two participants who have been randomly selected from an audience. The performer explains that in a moment they shall all play a game of truth or lies. The performer turns around so they are facing away from the participants. They then ask the participants to switch the coin between themselves multiple times and when finished to finally hide it in one of their hands so that the performer does not know who has possession of the coin or which hand it is in.
Turning back around to face the participants, the performer explains that they will ask one question...
This eBook contains the evolution of the effect previously covered in Volume I, but its understanding and execution does not require reading the previous one, although it is highly recommended.
The effect is totally impromptu, semi-automatic, quick to perform (only eight cards are used), does not require any complex card magic technique, and introduces for the spectator the possibility of secretly associating "Yes" and "No" with a single or double clap of the hands, in response to the few questions that the mentalist will ask during the experiment so that he cannot apparently know what the viewer...
In my methodical (and stubborn) search for effects to propose over the phone, numbers are the absolute protagonist. Except for some small stratagem, the final principle is always the consequence of one or more mathematical principles. Inspired by some well-known effects, I became curious and tried to go back to the principles, so as to be able to use them, alone or with others, to generate other interesting combinations. I think the table of contents highlights the object of this publication well:
The last few years have been a bit complicated for everyone, due to events that have influenced the lives of all of us, inhabitants of planet earth. We struggled, we resisted, we got out. And, I must admit, even with some positive notes! Our passion, Magic, has taken a few hits, from the point of view of activities and communications with the public; in some cases - as in mine - it has also acquired new operating methods.
Driven by friends and acquaintances, I started looking for effects to offer over the phone; to give them meaning, in addition to the difficulty of writing the story perfectly...
These are the instructions for Max Maven's trick Mixed Emotions. The props (a small booklet and seven cards) are not included. However, once you know the details of the effect and have read the instructions you could make these up yourself. Or perhaps you have only the props and the instructions are missing.
This trick is based on Bob Hummer's "Voodoo Fortune Telling" combined with a novel presentation Max Maven created around the topic of the biblical seven deadly sins.
1st edition ~1980 by Martin Breese; PDF 9 pages.
A short and whimsical booklet that explores the uses of smoke machines in mentalism. Even if you never chose to use smoke in your performances, the examples will inspire you to think about ways in which your mentalism might look to your audience.
You will read about ways in which smoke can be used as a visual metaphor, for gags, or to illustrate your "fauxcess" (a term that Derren Brown and Andy Nyman coined to denote the implied method that you want your audience to think you are using).
Fun fact: Derren Brown read the ad text for this book (back when it was a small Xeroxed and hand-cut...
In Zarathustra Fraser shares a few pieces from his notebooks. This is work Fraser has created over the past eight months. Following on from his decision to break down the larger book he was working on into smaller releases, he has decided to now share these ideas with you. This work compliments his other released work perfectly and will give you yet more options and different ways into creating feats of seeming real mind reading for your audiences.
To begin, you will learn how to force a single digit number entirely prop-less, in a conversational manner that looks completely fair and only...
Following the mentalism issue of Triplets 6, this one, Triplets 7, will also be mainly mentalism, specifically about Equivoque. I learned a lot about this, with 5 objects, from Max Maven's video, and at the same time, I discussed this with Charles Reynolds who in turn discussed it with Pat Page. Then I put in some work of my own and came up with a very practical way of working this.
I will go into every detail. Every mentalist I have shared this with thought my procedural changes worthwhile.
Next, I will go through every object I can think of with which to do this feat. I once saw Kreskin do it with...
Mental Assassin is a mind-reading effect that fits inside your wallet that can be performed anytime, anywhere. In Summary, this is what the routine looks like:
1st edition 2018, PDF 7 pages.
The performer chooses three spectators from the audience and asks them to choose numbers. There are so many effects like this. The news is that, finally, I managed to insert the Fibonacci series into an effect. Then I had to work on the screenplay to avoid noticing the only moment in which I "see" the audience numbers: but I think I succeeded.
Basically, for collaborators and the public, I give them a sheet, I have them write numbers, and then do various calculations; at the end, I use the number they obtained for other calculations, using a second principle. In the end, if I've been a...
The performer selects a lady with the object of discovering whether she has female intuition or not. Spreading a pile of envelopes, each one of which contains a double blank card, he invites her to select any one and to remove the card from inside.
The lady helper now nominates and names any person around the table who she is emotionally close to or with whom she feels she has some empathy. It could be a relative, a close friend or maybe even her husband! Let's say she selects a close friend called Sophie.
She writes the name of her chosen person, Sophie, on the back of her chosen blank...