Magic & Conjuring: page 121

Excerpt from the introduction:

Extract from the preface:

This is a wonderful participation routine for children's entertainers using the simplest of props - a wand, a silk, and an unprepared bag. Two children come up to assist. A silk is made invisible and handed to one child, while the second helper examines and then holds onto a bag. The invisible silk is 'blown' up into the air, caught on the end of the magic wand, which is then used to flick it over to the child holding the bag. The silk is supposed to now be inside the bag, but the child holding the bag seems to be unable to find it inside. Realising that the silk must still be invisible, the...

Learn about mix and mingle magic the easy way.

This 55-minute audiobook is perfect for listening to in the car or while jogging or at the gym. It contains a reading of the contents of the hugely useful information ebook entitled Going Walkabout, in which I explain exactly how I go about performing at informal mix and mingle events and how to make a success of working close-up magic at reception style events where the spectators are all standing or where there is, at best, only a very informal arrangement of seats, but no tables.

The 7 chapters included are as follows:

• Chapter 1 - Defining Going Walkabout ...

A spectator freely names a card (e.g. 5D) which is cut into the centre of a blue deck. The performer cuts a card of his choice (e.g. AS) into the centre of a red deck. The spectator and performer are now going to attempt to make their chosen cards reverse themselves while the packs are still inside their boxes.

Having mimed the removal and turning over of cards, the performer fans the spectator's blue deck only to discover that there is one card face up, but it's the AS! The magician then fans his red backed deck - and to everyone's surprise, the only face-up card in that pack is the one...

There are many ring and rope routines in print and there are a whole host of ingenious moves which a performer can use. But if we are honest with ourselves, how many of these routines can really be said to be entertaining to a lay audience? Often the presentation is all but forgotten and so the routine becomes simply an exhibition of clever handling and little more.

I wanted to find a way of involving an audience in a ring and rope routine so that it would leave them entertained as well as fooled, and The Ring Competition is the answer I came up with. One of the great assets of this presentation...

The Professional Worker Series - Volume 6

Sit back and relax as I read the complete contents of this fascinating e-book to you. It's a great way to absorb and enjoy the contents whether you are at home, in the garden, driving the car or exercising in the gym.

In this Learning From Experience Audio Book I look back over my 40 years of full-time professional experience and identify 20 key things about performing commercially for lay people that I wish I had known when I started.

Organising these into 20 key facts, I explain the lessons that I have learned in this rich period of experience...

Two sets of 10 cards are counted out fairly and openly onto a spectator's hand before being dropped into two glass tumblers where they can be clearly seen. One at a time three cards are invisibly moved from one glass to the other, and when the piles are counted back onto the spectator's hand again, the first glass only contains 7 cards and the other 13.

This is the classic cards across effect using a method that is completely move and sleight free. Everything happens at fingertips and there is no palming required, nor any special counts. Designed for a close-up or intimate parlour show,...

A spectator is handed an invisible deck and is asked to spread the cards and note that all the red cards are bunched together and all the black cards are assembled together. Splitting the deck so that he holds all the invisible red cards in one hand and all the blacks in the other, he hands over one half which is placed by a second spectator into the invisible cards box.

Now the cards are spread again and the spectator is asked to note that all the court cards are together, and all the spot cards are together. Splitting them into their two groups he is invited to hand either section over...

The performer selects a lady with the object of discovering whether she has female intuition or not. Spreading a pile of envelopes, each one of which contains a double blank card, he invites her to select any one and to remove the card from inside.

The lady helper now nominates and names any person around the table who she is emotionally close to or with whom she feels she has some empathy. It could be a relative, a close friend or maybe even her husband! Let's say she selects a close friend called Sophie.

She writes the name of her chosen person, Sophie, on the back of her chosen blank...

The idea for this routine came after I read Derek Dingle's Silver Quick routine in Apocalypse (Sept. 1978) which was a sort of coins across into a spectator's hand. I played around with the Dingle routine for a while but I felt I would not be able to use it commercially, although I liked the idea of something happening with the coins in a spectator's hands. After much experimentation and change, Slo-Mo was put together and is the routine I have been using with lay people ever since. I hope you like it.

1st edition 2003, PDF 8 pages.

This is ideal for walkabout performance or a set close-up or parlour show. A length of rope is handed out for examination and the ends are then tied to form a rope loop. A spectator's watch is borrowed and the strap done up so that the watch is also in a loop. The watch is then threaded onto the double strands of the rope loop which is held between the two hands. By moving his hands up and down, the performer shows how the watch can slide up and down the rope, but provided he does not let go with either of his hands, the watch is safe on the rope.

Then the magician says he will demonstrate...

A deck of cards is spread and freely displayed back and front. Four cards are selected at random by a spectator and then placed in a fan on the table. A snap of the fingers and when the fan is lifted, four coins are seen to have instantly appeared underneath.

As a lead in to a four coin matrix routine this is ideal as it creates an unexpected and sleight free intro. You just need a regular deck, which you need to prepare once (takes about 15 minutes), and four small coins (10ps or US quarters).

Remember – no palming or sleight of hand is required.

1st edition 2021; PDF 4 pages,...

Diving into double-back transits.

• Jennings' Visitor: The spectator selects a card and the performer places it between two black Queens. The card becomes restless and upon command leaves the black Queens and is found face-up between two red Queens. Upon command, once again the card jumps from the red Queens back between the black Queens. The selected card may be initialed.
• The Visitor Sans Deck / Dave Solomon: Four Kings and four Jacks are removed from the deck. The Kings and Jacks are separated into two fours of a kind and are placed as two packets on the table. A spot card is selected from the...

Ambitious Card in reverse.

One of the classic card effects in magic is The Ambitious Card, and many close-up workers use one variation or another of it. I was looking for an in-the-hands card routine that I could introduce into my strolling work, and it suddenly occurred to me that maybe you could do the Ambitious Card in reverse.

Hide and Seek is the routine that I came up with and which I have been using in my commercial work ever since. Here's the plot.

A spectator selects a card, let's say it is the 3C. The minute you see the card you express concern because you explain that this...

A blue-backed deck is openly displayed and one card is selected from the face-down deck. Cutting the selection back into the pack and shuffling the deck, the performer offers to find the selection quickly and effectively.

Snapping his fingers over the deck, he turns the cards face down and spreads through the entire deck to reveal that every card back has changed from blue to red, except for just one card, and that turns out to be the selected card!

No sleight of hand is required, this is designed to instantly re-set in front of the spectators and everything takes place up in your hands,...

This is a card stand for two cards (or one jumbo card) primarily for close-up use. The stand is semi-transparent and hides the number index sufficiently so that one cannot read it. One can see that something is there but not exactly what. The cards do not sit completely upright but tilted back by 10 degrees to improve visibility in a close-up setting.

The stand is 17 cm long, 17 mm high and it has a semi-circular cross section. The depth of the slit is 13 mm - meaning the bottom most 13 mm of a card will be hidden by the stand. The stand is short enough to be carried in an inside jacket pocket. ...

Guida Pratica all'apprendimento della Lettura a Freddo e dell'Ipnosi

La possibilità di poter leggere nella mente di una persona sconosciuta e vedere eventi della sua vita passata e futura ha sempre affascinato enormemente.

C'è una tecnica che viene usata da varie categorie di persone, tra cui i mentalisti in ambito illusionistico ma da tanto tempo da cartomanti, divinatori, sensitivi, ecc, questa tecnica si chiama "Lettura a freddo" in inglese "Cold Reading".

In questo manuale vedremo approfonditamente come imparare questa tecnica e come applicarla al fine di essere in grado di fare...

After explaining his effect 3H in his ebook More Plots and Methods (2021, p.25), Michal Kociołek writes:

This ebook contains my solutions to his challenge. The routines range from impromptu to stacked, though the majority of the effects can be done with a borrowed deck of cards and no preparation. Those...

As Alfredson and Daily write in their Conjuring Periodical Bibliography, Mahatma is the 'first English language magical serial of any substance'. It is a fantastic resource for historians, researchers and other treasure hunters. A few of the prominent names you will find in Mahatma are Conradi, De Kolta, Downs, Elliott, Evans, Hilliar, Hoffmann, Houdini, Kellar, Leipzig, Plate, Selbit, Trewey and many more.

Some interesting facts about this periodical are:

• Mahatma was printed in the rear of the storied Martinka's magic shop in New York City, then the central hub of all things magical.
• Among the delightful period advertisements in Mahatma are some...

This is a gorgeous and careful digitization of a classic originally published by Harry Stanley in 1962. All drawings have not simply been scanned and included as images but have been converted to vectorized graphics. This means they are crisp and clear even under the largest magnification as well as when printed out.

This PDF ebook has very detailed bookmarks making it easy to browse to your section of choice.

Max Malini was one of the most extraordinary personalities in the history of the performance of magic.

In this ebook, Dai Vernon shows how successfully Malini acted the role of magician and...

This is a fascinating combination of biographical detail and carefully described magical secrets researched and recorded by Dai Vernon and Lewis Ganson.

Vernon was an intimate friend of Leipzig. Vernon not only saw many performances given by Leipzig, but Leipzig also explained Vernon in detail how all of his tricks worked and how they are to be performed. Vernon recorded this in his notebooks from which this publication was prepared by Ganson and Vernon. It is therefore fair to say that this is as close as you will ever get to learn from Leipzig.

Leipzig was a gentelman of magic who could...

[S]Witch is a great impromptu billet technique, created by Julien during years of performances on cruise ships and in theatre shows. The effect is simple: You ask someone to draw or write anything on a small paper/business card. In only two very fair moves, you can duplicate their thoughts.

Yes we're talking about a switch, but such a good one. It's done in front of your spectator's eyes, and even though you magicians know there is one in play, you can't see it. It is that strong. This method is a real worker, performed hundreds of times by Julien for real audiences. A powerful secret kept underground...

[Note: You do not need to own volume 1 to be able to perform the routines explained here.

Welcome to volume 2 of my Billets for the Modern Mindreader course. You will learn three switches and three routines for close-up, parlor, and stage situations, as well as casual settings.

Billet Chi (Nestor Dee): Probably the holy grail of predictions with billets. Borrow three business cards and you can do the routine. Trust me, this is great.

Telepathy Plus (Theodore Annemann): A classic revisited. A three-phase mind-reading routine. (Also doable with three borrowed business cards.)

S.E.E. (Julien Losa): A practical and quick routine to get...