ACAAN

An effortless CAAN that the audience performs for themselves.

Features:

• You never touch the deck of cards.
• Can be done Close-up, Parlour or on Stage

Honest Note: While you don't touch...

An effortless ACAAN that the audience performs for themselves.

Features:

• Completely self-working
• Can be done Close-up, Parlour or On-Stage
• Uses a regular pack of cards
• No memorisation, mathematics or improvisation

Participant 1 deals down one of the halves and stops anywhere he/she desires, the card gets turned over. To make things random, the participant again deals down to the value of the turned over card. Now that...

An ACAAN for stage and parlor performers.

In short: The performer asks 3 participants to name a suit, a number and a value. Next invites one of the participants to deal down the cards. And like it should be, the named card lies at the named number.

Here are the details:

1. The performer asks an audience member (1st participant) to name a suit. The participant does so.

2. Next, the performer moves towards the 2nd participant to name a number (value) between 1 and 10 he unboxes the deck. But then he suddenly remembers that he needs to give out a notepad and pen to record the choices...

A virtually self-working ACAAN with plenty of audience involvement.

We all know whenever the audience tries to reverse engineer or recreate a trick and fail at it; they conclude with a common statement - He must have done something sneaky.

The Fortuitous ACAAN works to counter just that. It brings wonder out of the hands of the performer at the same time ensures that the control always rests with him. Here is how it goes:

A deck gets shuffled by 4 people while 3 other people decide on the Number, Value and Suit. The shuffled deck gets collected and the cards get dealt face-up and the...

The problem is that Card At Any Number when presented as a one-time feat can be mistaken as a co-incidence or the skill of the performer which takes away the feeling of it being pure magic. Caantastic counters just that by creating a mother of all co-incidences moment for the audience. Card At Any Number not just once or twice but thrice and when it happens the third time it dilutes any skepticism and evokes the...

A deck of cards is displayed as the performer mentions he made a prediction in the deck. The spectator cuts to a card, remembers it, then returns it anywhere in the deck. The participant then thoroughly shuffles the cards so their selection is genuinely lost in the deck. Any number from 1 to 52 is...

What’s great is that 70% of the times you'll have a hands-off / clean ACAAN and for the rest 30% you have to do something logical which is covered by the presentation to make it look like a hands-off...

Then, he reveals what he wrote on the prediction card: "27" and "35". The spectator combines the value of one selection (eg: 5 of Clubs) with the suit of the other one (eg: Queen of...

Imagine removing a prediction card and placing it in your pocket. You then bring out two decks, one with numbered cards and one standard deck. The spectator makes an actual free choice from each deck, selecting one number and one playing card. The performer removes his prediction to show it not only matches the freely selected card, but it also has the chosen number boldly drawn on it. A double prediction and ACAAN combined.

The 50-minute video download covers multiple...

It needs a one-time preparation that you can keep in your wallet or jacket, and can be used as an opener or a closer, for strolling, close up, parlor or stage.

1st edition 2017, 15 pages.

NB: The deck is always dealt face-up. Self-working. Happens in the hands of the spectator. Examinable. Quick reset. No gaff. Uses one regular deck and one red-backed card only. Includes a handling to perform it anytime during your act with...

When the minds of Rick Silberman and Wesley James combine with William Coffrin, Jean Hugard, and Fred Braue, you have a level of knowledge and experience rarely equaled in magic's long history. The whole is far greater than the sum of its parts.

When special cards, sleight-of-hand,...

Each effect is supplemented with a presentation script, multiple detailed photos and many additional tips,...

Here is a list of the contents:

Predestination - A deck is shuffled by the spectator, and a card is thought of. The participant deals cards until they find the one they thought of. You have predicted the exact position it was found in. No forces involved, and nothing is said out-loud by the participant. Oh, and you can perform this blindfolded.

True ACAAN - No stooges, forces, trick decks, etc. It requires work, but it's not hard to do, and is entirely...

The magician introduces his performance by claiming: "The secret for this effect to be a success is for you to be both instinctive and lucky. I will guide you but just keep in mind that one card more or one card less will make all the difference."

The spectator cuts off the deck and silently counts his cards to...

This is what happens: You introduce 3 cards with 3 simple questions:

• Q1. Name a number
• Q2. Name a suit
• Q3. Name a value

Features:

• no forces
• no pre-show
• no dual reality ...

The best part is that several of these routines do not use a physical deck at all. Some of these routines do use a physical deck but the performer never touches the deck at all. The deck is merely used to verify at the end whether the chosen card is at the chosen number. The main method is an old beauty but has never been used in this manner.

There are no psychological forces, no dual reality, no swami, no sleights, of course, no stooges or instant stooges, no preshow, no math, no memory and no stack. Unlike any other ACAAN,...

AMBIENCE CONTROL : A single card control from the middle of the deck to the top. Originally put out in The Blind Faith Collection (2015). It can also be used as a phase in an Ambitious Card Routine.

SAY STOP : A Selected Card At Any Number where you don't really need to know the number before hand. Originally put out in Audacious (2013) and as a bonus in C.I.A (2015).

Notes and Credits: Do not confuse Ambience Control to be same as Bizau Christian's Blind Square. They both are different. Say Stop was inspired from Paul Wilson's Yamfacaan. However...

• Completely hands off.
• No forcing named cards.
• No forcing named numbers....

• Some are original, some are based on combinations of old principles, with some 'twists' or new ideas.
• Most are card tricks, some are not.
• Some are impromptu or even improvised, some need some preparation.
• Some are hands off, some need some (easy) sleight of hand.
• Some are direct, some are more convoluted. ...