Cards in Magic & Conjuring: page 100

This is number two of the Paul Diamond "Gems of Magic Book" series.

Roger Klause writes in his foreword:

This is the workers edition of Erdnase's The Expert at the Card Table. Produced as a letter sized three ring binder so that one can insert note pages anywhere one wishes to take notes, printed in large font (16pt) on heavy coated durable paper, so that it can be read from a distance.

David Malek, who came up with this specially designed format, explains in his introduction:

Three selected cards placed between two double-blank cards disappear one at a time leaving completely blank cards and reappear reversed in the middle of the deck!

Requires

• 3 double blank cards (blank on both sides)
• 1 double back card
• 3 blank backed cards (blank on one side, back on the other side)

Effect:

The spectator selects a card from the performer’s deck and does not reveal it to the performer until requested to do so. The performer then shows a packet of four Jokers to the spectator, displaying the faces and backs of all four cards. He then asks the spectator to wave his selected card over the Jokers he is holding in his hand. When the performer turns the packet face up and displays the cards, they are no longer Jokers! Instead, all four cards are now identical to the spectator’s selected card!

But that’s not all! When the performer squares the four cards back together,...

Love it or hate it but most of the numerous versions of ACAAN out there end up in the same ball park -- look what I can do or I manipulated your choices without your knowledge or simply as a coincidence. The Empirical ACAAN drifts from all of that, here is an ACAAN that makes people connect to each other. An ACAAN that is not about you but about the audience with virtually no sleight involved.

What’s great is that 70% of the times you'll have a hands-off / clean ACAAN and for the rest 30% you have to do something logical which is covered by the presentation to make it look like a hands-off...

An incredible Nate Leipzig card effect, now redesigned with subtlety, instead of knuckle-busting sleight of hand. A deck of cards is genuinely shuffled. The spectator then chooses a suit and removes the corresponding thirteen cards from the deck. The performer chooses another suit and likewise removes his thirteen cards. The spectator places the top card of his packet on the bottom of his packet; the magician duplicates this procedure. The spectator places his next card face down on the table. The magician does likewise. The spectator then alternately places cards on the bottom of his packet...

This ebook is about a principle (a shuffling principle) that I discovered. More accurately, it is an extension of an already existing shuffling principle. In the original principle, the deck can be given one riffle shuffle at the end of a card location routine, after which the selected card can be located. In my variant principle, the deck can be given not one but two riffle shuffles at the end of a card location routine, after which the selected card can be located.

The ebook contains a detailed essay on both the original principle and the new principle, where the two principles are compared....

This is a very commercial, practical, and effective diary effect. (Works with any diary.)

You begin by shuffling a deck and placing it on the table. You never touch the deck again. You now give the spectator your pocket diary which he may examine before placing it in his pocket. You never touch the diary again.

The spectator will now create a random date. He cuts the deck – this is a free cut – and turns over the card cut to. The value of this card will represent the month. This can truly be any value. He counts the cards that he cut – this will represent the day. This can truly...

6 beautiful effects that are stronger than The Hulk!

When I was a kid, I purchased magic books from the 1800s by Prof. Hoffman, Herrmann, Jean Robert-Houdin, and a host of other magicians who I've never heard of before ... these books were old, with very yellowed, brittle pages, with artwork that was quite intricate and very Victorian.

But what stood out most to me, were how many times these books would mention performing in, or retiring to "the drawing room" ... this term really intrigued me.

These stellar effects within, will "spark" those magical times in your lives that have lasted us for so many years.

Effects: ...

This ebook's purpose is to teach something about the art of close-up card magic; not just to describe some card effects. Each chapter consists of three parts:

1. the text
2. captioned drawings
3. a summary of moves and sleights

An entertaining close-up effect where you attempt to teach the spectator how to "dirty deal", but always goes wrong when the spectator tries. It gets funnier and funnier, ending with a surprise climax.

Audiences enjoy tricks with a gambling theme. If the effect also combines comedy and mystery, then you have a triple threat combination that's sure to be remembered.

The performer explains how he sent away for a mail order course in dealing cards. He offers to teach a spectator how to do it, offering a money-back guarantee. The spectator can't seem to follow directions, even though the performer...

Two bizarre playing card routines.

In the Devil's Game you tell the story of a guy named Billy who finds himself in hell, he simply can't believe it. Billy just doesn't belong in hell, he lived his life honestly, he was loyal, he was a good guy, did the right things, played by the rules. What the hell is he doing in hell?! So he asks one of the Devil's minions to please take him to the devil, that he urgently needs to speak to him to figure this thing out. The minion takes him to the devil's lavish chambers, and the devil, smoking a cigar, surrounded by beautiful women, quietly hears him...

This is the deck switch from the train car poker game scene in the movie The Sting, executed by John Scarne, renowned gambling expert. It is straight forward and within the range of anyone willing to devote the time necessary to master it. Add it to your skill set. You will receive a PDF and a video (download from your digital shelf).

Here is the clip from The Sting where the switch is executed.

1st edition 2019, PDF 4 pages, video 17s.

A gaffed card that allows performing a super-clean back color change of a signed card.

From a red-backed deck, a spectator selects and removes a card, signs the face, and returns it to the deck. The deck is spread and a blue-backed card is seen in the middle of the spread. When turned over, it is the card he signed.

Remember:

• The spectator removes and handles his initial selection which is a red-backed card.
• At the end, he can also handle the blue-backed card (he can even keep it as a souvenir).
• No carbon or other signature transfers. This one is a fooler. It is one of those "things...

"This is going to fry a lot of people..." - Richard Kaufman

"...the Crossroads Deck; a devious conception and one of the most interesting to hit the magic scene in recent times..." - Peter Duffie (from the foreword)

"The Crossroads technique alone, which we really like, will be seen as food for thought by many. As mentalists, our variation would be to use no deck at all. Just a single, thought-of card in the pocket. The solution will dawn on you after reading the text..." - Richard Busch & Larry Becker

A SPECIFICALLY SELECTED CARD VANISHES FROM A SEALED DECK YOU'VE NEVER TOUCHED! And then... RE-APPEARS WHEREVER YOU...

Routines with the classic cross cut force.

The Cross Cut Code is devoted entirely to the classic cross cut force, with some deadly variations and packed out with some great routines which showcase them. Seven of the routines are unpublished items from John Carey and some superb material from his great friends Cameron Francis, Mike Breggar, Michael Kaminskas, Harrison Trusler, Sean Devine, Jon Racherbaumer and John Gordon.

• You and Me!
• Casino Cross Cut
• Dribble CCF!
• Carey varies Bannon
• Cross Cut Do As I Do
• Subtle CCF
• Aces A Plenty
• Crossed Biddle
• For Bannon!
• CROSSY-VOQUE
• Face- up Fake- out X- force
• Cross-Cut Nuance
• Let...

Torn playing cards link together. It is a variation of Cardboard Connection by Paul Harris utilizing an alternate gaff. Photos and detailed description by Lewis Ganson. It also includes Jim Cozzens instructions for preparing the linked cards set.

1st edition 1981, 16 pages; PDF 17 pages.

Do you have the perfect brain? Now you do!

Just take out a deck of cards and a pen. Let them shuffle the cards. Then have them call out random digits and proceed to write them on the backs of the cards until you have marked about 30 or 40 cards (or even the whole deck). Fan the cards in front of you for only 5-10 seconds to remember the sequence. Hand the cards to the spectator who called out the final number. You are ready to go:

At lightning speed, and blindfolded, you run through the numbers on the backs of the cards in the exact order they have been called out! Each time you are right,...

Effect:

You show two packs of cards. One red and one blue backed. You ask a spectator to touch one of the packs. The pack is offered to the spectator and she is asked to put the pack of cards in a pocket. Taking the pack of cards with the blue backs you fan them face and back to show that the cards are normal. You shuffle the cards, cut and complete the cut. The cards are spread face down on the table and you ask a spectator to run his fingers backwards and forwards across the cards...using his hand rather like a pendulum. At any moment he chooses you ask him to touch the back of one of the...

The Story: The era of the "greasers" was coming to an end. They had all gone by the way side; they had all moved to the wicked city of Hoyletown. But there were a few who wouldn't stand for the death of the greatest era of Bicycle Village's history. The time had come for the last remaining greasers to work a miracle. The notorious Gang of Aces had taken all they could stand. Now is the time to show the world who we are. This is our deck and we're not gonna take it anymore. We'll show them. We will use whatever means necessary to keep the story alive. We will use magic, sorcery and trickery; it...

In the late twenties Larsen & Wright (William Larsen, Sr. and T. Page Wright) were prominent names in magic. They produced a flood of contributions to magic magazines, over one hundred in The Sphinx alone in 1927-28 (so many in fact that The Sphinx felt compelled to publish much of it under a variety of pseudonyms). But in addition there were the Larsen & Wright publications, a large series of printed books and manuscripts offering a mass of original material not appearing in the periodicals.

When T. Page Wright died tragically in 1930, he left behind the finished manuscript for a mooted book. Incredibly,...

Comprising Eye-Openers and More Eye-Openers plus R. W. Hull's Supreme Mental Discernment.

Paul Fleming wrote about More Eye-Openers:

This is a reproduction of Dumbfounders with Cards and More Dumbfounders with Cards two often overlooked booklets by Eddie Joseph on math based card effects. Some principles predate ideas rediscovered by Edward Marlo and Stewart James. (The ebook has been prepared by Paul Gordon.)

The writing of Joseph is somewhat terse and hard to read, but the effects and principles are great. This ebook includes some comments by Peter Duffie and Roger Crosthwaite.

• Dumbfounders with Cards
  • The Tobba Mystery
  • Who Knows The Card?
  • Incredulously True
  • Two Secret Thoughts
  • Memory Phenomenal
  • Over the Wire
  • The Mystic Queen
  • One-Eye Joe
  • The Expert Cuts
  • Can You See Your...

Extract from the preface: