Discover the Revolutionary Magic of GiACAAN. Gino D'Alessandro, a young prodigy in the world of Italian card magic, has brought a breath of fresh air to magical effects with his extraordinary routine GiACAAN. Inspired by the legendary Slow ACAAN version of his master Gianluigi Sordellini, Gino has created something truly unique and spectacular.
Why GiACAAN is a Must-Have?
This is a combination of Shufflebored and Joshua Jay's Total Recall effect. Think Shufflebored with no setup and the spectators shuffle the cards. There is only one minor sleight, if you can call it a sleight, and no setup. There is some easy memory work. The reset is instant, and the deck is clean. The prediction AH card has three other predictions.
New: A timeline of the events is included making it quicker and easier to learn the effect.
Two .jpgs of the prediction AH card are included, front and back. You can print it on a blank playing card, index card etc.
Q1: What is the effect...
The purpose of these reports is to cite known references, suggest ancestral ties, credit precursors and progenitors, reveal any chronology, and trace the evolvement of ideas, tricks, sleights, and presentations.
1st edition 1997, PDF 10 pages.
Paul LePaul was one of the all-time great card manipulators of the 20th century enjoying an amazing career in vaudeville, cabaret, and nightclub work, performing magic just with playing cards.
His lasting contribution to magical literature was that classic text, The Card Magic Of LePaul, first published back in 1949. It has been a revered source of exceptional card magic ever since.
In this new manuscript, card man Ian Baxter revisits three of Le Paul's favourites - The Substitution Envelope Mystery, Hand Picked Aces and that perennial favourite, The Gymnastic Aces.
No sacrificing of effect, no knuckle-busting sleight...
Ten things to do when spurred by the moment.
1st edition 2002, PDF 31 pages.
Easily one of the most remarkable mentalism card routines you will ever perform!
Two participants select two cards from a shuffled deck. The deck is again shuffled and mixed. It is clear it is not marked (it could even be a borrowed deck) and not stacked in any way. The cards are placed face-down in front of each participant. Using telepathy, the mentalist proceeds to read their minds and discern the cards that each possesses. The mentalist then removes what he or she believes to be the "mates" of each participant's freely selected card and places them unambiguously on the table face-down...
After the deck is shuffled, twelve cards (one for each month of the year) are shown to the spectator and he thinks of the one corresponding to his birth month.
The twelve cards are isolated in folded papers to prevent any sleight of hand. The spectator names his card and commands it to return to the deck. The folded papers are opened and there are only eleven cards and when shown the thought-of card is not among them. The deck is spread and the thought-of card is found face up back in the deck.
Practically self-working. Easy and fast reset. Can be a different card each time.
1st...
"Thomas Baxter would be proud." - Brian Draven
"If you're a fan of the open prediction plot as I am, this is worth checking out. It's a very original approach, which combines existing methods in a unique and clever way." - Michael Gustav
"A very nice idea. I can see myself using this. Super easy to perform too." - Kevin Schneider
In this e-book, I want to share with you my own solution for the classic open prediction plot. The one major advantage of this version is that there is proper shuffling by the spectator just before the final deal - and the magician never touches the deck...
This is without a doubt the most powerful effect in my repertoire. The reactions it consistently generates from audiences are nothing short of astounding, and what makes it even more remarkable is it's easy to do. The psychological principles throughout this effect are truly fascinating - from the way it plays with expectations to how it builds and releases tension. Each of these psychological elements has been carefully crafted to create maximum impact, and these same principles can be effectively applied to enhance numerous other effects in your performances.
Effect: In this compelling...
You show four cards from the back. They all have blue backs. When you shake them, one turns up face. It is the king of diamonds. When you show the cards again, they now all have red backs. Another shake and another king turns face up. But now they all have green backs. You then display all four kings from the face. The climax is that all four kings link into one ribbon.
1st edition 2024, video 6:12.
My Favorite Card Magic explains tricks with straight-forward plots, classic methods and direct handlings. Gerald prefers uncomplicated tricks and routines which can be performed under the most demanding conditions. The tricks do require practice and skillful handling. But you'll not find "knuckle busting" sleights or complex procedures.
Gerald divides the PDF into two sections. Part One is for "in-the-hands" tricks. These routines work well for strolling situations or any time you have no tabletop available. At times, it becomes awkward or not possible for the spectators to take or sign...
"This is one of the most important card magic manuscripts published in the last 25 years. The 'principle' is truly a lost gem and I'm shocked that it's completely out of use today. As the decades passed, it appears magicians forgot about it. Do not pass this up. If you are a serious student of card magic, this principle is something you should know about. Study this manuscript, learn the principle, and, most importantly, learn the history surrounding it.
I've been studying card magic for over 20 years and I never heard of this principle until the Unnamed Magician brought it to my attention....
The contents of this series, for the most part, emphasize the history of effects and ideas. There are effects and methods in some of them, though.
1st edition 2014, PDF 25 pages.
A true masterpiece of precision and impossibility: Mr. Diseau ACAAN. If you're looking for an effect that combines the charm of Card at Any Number with a fully interactive experience for your audience, this routine is perfect for you.
Imagine this: a spectator freely cuts a deck and selects two cards, leaving them face down on the table without looking. Next, they choose a card from several packets, memorize it, and reassemble the deck. Only then are the initial two cards revealed, their values added together, and the resulting number used to count down in the deck. The card found at that...
Take your audience on a surprising magical journey with Sandwich Reverse. Imagine starting with a classic in card magic: the two Jokers capture a card chosen by the spectator in a simple and straightforward effect. But just when the audience thinks they know what's going to happen, you completely flip their expectations. In the end, it's the chosen cards that capture the Joker, leaving everyone speechless.
This routine combines the beauty of simplicity with an unexpected twist that will delight both beginners and experienced card magicians. Easy to learn, highly impactful, and incredibly...
The Think Ace effect is a hybrid, reduced to a packet trick. It was inspired by an effect described to Marlo by Bill Simon in 1955.
1st edition 1993, PDF 35 pages.
Are you looking for a fun effect to perform that leaves the spectator in awe? This is an effect for you. You are in complete control all the time, yet it appears the spectator makes all the choices. You relax and focus on your presentation rather than worrying about the method. This approach incorporates multiple outs into a card trick without relying on suspicious props or your pockets as an out. This method provides multiple options to easily handle different outcomes based on what your spectator chooses.
A sandwich effect with a twist. The performer has three spectators each chooses a card and loses it in different parts of the deck. Then, the performer takes two Jokers, stating that they will find the selected cards. However, the final twist is that one spectator's card will end up sandwiched between the other two spectators' cards.
1st edition 2024, PDF 7 pages, 42 photos.
An incredible new "Any Card At Any Number" effect that magically comes to fruition, despite the fact that the card and a set of numbers are chosen by a spectator, in a carousel of cards turned face to face and back to back.
An A.C.A.A.N. that develops into a dance of cards, realizing itself on the edge of the impossible.
Twisting the AC...AAN is a new card magic effect themed "Any Card At Any Number," in which the magician, shown and quickly shuffled a deck of cards, holding the deck face-up in his right hand, begins to drop the cards into the palm of his left hand, performing a dribble...
Yes, this looks impossible. You show four cards. Turn over one and the rest also magically turns over. That is just the warming-up effect. The real stunner is when you turn over the cards and suddenly three of them have big circles cut from their center and the fourth has changed color.
1st edition 2024, video 4:45.