Magic & Conjuring: page 33

The PK ring is a very versatile gimmick for the magician and particularly for the mentalist. However, most commercially available PK rings look like wedding bands. What if you're not married? What if you like to wear other style of rings? What if you want to remove the PK-ness of the ring?

Hank wanted to be able to make any ring a PK ring. He wanted something that you could always have on you and could "load" & "ditch" very quickly and easily. Hank created just that and gives you in this ebook detailed instructions of how to build this gimmick for yourself. All parts are easily and cheaply...

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Vol. 4, No. 5, November 2008; 72 pages.

Cover: Shawn Farquhar

7. Welcome - editor's letter
8. Letters
9. News
10. Miss Magic, Helping to renovate the image of magic! - interview
14. Don't Laugh ... Visual Gags are the Future! - 5 magicians talk about the best visual gag they have seen
18. The A-Z of Commercial Close Up - Mark Leveridge - article
22. Pat Fallon, Magic for older children - interview by Mark Leveridge
28. What's Paul Zenon been up to? - show review
31. News
32. The Bookshelf - a look at important books from bygone decades - Mark Leveridge
    • The 1950s - 13 Steps To Mentalism - Tony Corinda

A brand new totally impromptu newspaper test from the twisted mind that is Nefesch. No gaffs, no gimmicks, no preparation - everything is borrowed. Any paper or magazine, any page.

This is really strong and the construction is very clever. Imagine you borrow a newspaper or magazine and a pen. Both are totally and utterly ungimmicked. The spectator has a completely free choice of the page and circles a word on the page. You are able to predict the word he or she circles. Let me repeat that the pen is not gimmicked in any way and can be borrowed. The spectator really draws a circle. The best...

A wonderful self-working rendition of the classic "Out Of This World" effect. This was the first real card trick I saw - and I was baffled.

A borrowed deck is shuffled. A red and a black card are placed face up on the table. The performer then removes cards, one at a time from the deck. Without the spectator seeing the faces of these cards, he indicates whether he thinks a card is a red or a black. If he thinks it is a red card, the performer places it, face down, on the face up red card. If the spectator thinks it is a black card, the performer places it face down on the face up black card....

The MUK or Museum für Unterhaltungskunst (Museum of Entertainment Arts) in Vienna, Austria, issues an interesting magazine every 6 months. This museum covers mostly magic, circus, and variety, and its publication draws from the holdings of the museum.

Even for people who do not read German this might be interesting, because many historical photos and artifacts are reproduced. For example, issue 2 features an article on Houdini with many fascinating photos, several of which I have never seen before.

You will receive the first three issues: 2007 No. 1, 2007 No. 2, and 2008 No. 3.

Dennis writes:

You show four face up cards, explaining that two are identical, and ask someone to call out the name of the card they see twice. They do this three times, but are only correct on their third attempt! You repeat the entire procedure with the backs of the cards (only two are the same colour) ... with the same result!

• cards can be examined at the end
• instant reset

Bonus: Chamile
With patter revolving about a strange dream, in which you were playing a game of Poker...your cards change faces and backs in a most...

An unbelievable version of the legendary rising cards effect.

• no weights
• no threads
• no elastics
• no springs
• no magnets
• no wires

You can have one, two or even three cards selected then... have them rise out from different parts of the deck. Actually, you can rise more than three cards, but no more than fifty-two....

An incredible transposition of a fork and a spoon.

Showing a fork and a spoon you mix them, undercover of your hands, then ask someone to guess which is the fork. They guess and are either correct or wrong. You clearly place the spoon in your breast pocket, with the handle protruding. Suddenly, the fork in your hand becomes the spoon! The spoon in your breast pocket turns out to be... the fork!

No magnets or sleights! Can be performed without a table (ideal for strolling or at cluttered tables) and everything can be examined at the end. This was developed to link with Stephen's Mind-Power routine. ...

MonuMental is a new multiple prediction effect that packs a punch. The routine is fully explained in a 40 minute video presentation that you can download to your computer. Includes two versions.

Also included on this video is Beyond. A spirit writing effect where a spectator initials all six sides of three blank business cards. Despite this, a message or prediction magically appears on one of the sides while he is holding the cards. And he can keep this as a memento. See demo on your left.

Video format is WMV and requires Media Player, Media Player Classic, or any other program that will...

In 1949 Lewis Ganson published his first work on card fans with Arcas Publications. Later he wrote a series of articles for The Gen. Ultimately Supreme published a revised version which was Fan Finale. You should also check out Card Fans Teach-In.

1st edition 1976; 17 pages.

This ebook describes store window displays which are magical in one way or another causing pedestrians to stop and look into the window. Once a person stops and looks at the display the chances for them to actually enter the store have dramatically increased.

Several of these contraptions use magic principles. One can think of them as magic apparatus displayed in action. Although these displays could be employed by pretty much any store, I would think that they would be most appropriate in the window of a real magic store. I have never seen any magic store use anything like this. An innovative...

Dennis Barlotta's Tribute to Don Alan includes a re-working of three routines; The Chop Cup, The Benson Bowl, and 'Bag Stabbed' a card stab.

Dennis writes:

Slydini used to open his stage act with this routine.

Slydini's Production Silks is a routine he cared deeply about. This is an opening stage effect. (He used to say: "If you wait too long the silks will get stale".) The magician shows his hands empty then picks up a silk from the seat of a chair. The silk is displayed and placed on the back of the chair. The magician reaches into the air and produces a second silk, which is also placed on the back of the chair. Two more silks are produced from the air and then all four silks are picked up. These silks multiply into a beautiful 'fountain...

INSTANT RE-SET! VERY EASY TO PERFORM!

Someone tries to find the queen amongst two jokers, but fails every time. You pocket the queen, and ask them to find the black and white joker... they fail again as... all three cards are queens!

Holding three face down jumbo(ish) sized playing cards you say, "These cards may look very large, but they aren't... it's just that I have very small hands." As you patter, you show the cards to be two jokers and... a queen.

You explain that they are to ignore the jokers and... try to follow the queen.

You now mix the three cards very quickly as you...

You borrow a normal egg from a spectator, who signs it with a permanent pen. Then you borrow a coin and also have it signed by the spectator. Now you proceed to put the signed egg and signed coin together and without making any funny or weird movements. The coin visually penetrates the egg and goes through its shell!. It all happens right before the eyes of the spectator. The egg is now shown all around completely intact, with no scratches or holes. Your hands are shown on both sides, all angles are totally clean, you are not hiding or palming the coin, it really has 'melted' into the egg! You...

This is a completely new principle. One rarely stumbles upon something like this. Often we find variations on old themes, slight alterations or modifications. However, this is a completely new principle. It is actually the combination of two known methods but in a completely new and unique way enabling completely different and much stronger effects.

Imagine a deck being fairly and thoroughly shuffled by yourself and the spectator. Under total test conditions, the spectator selects any card. You will immediately know the identity of the selected card. At any time, the deck can be passed out...

This is probably the most visual signed card at impossible location effect available today. The spectator's signed card penetrates a borrowed and sealed bottle.

• The bottle can be borrowed and is completely ungimmicked
• The signature that appears on the card inside the bottle is the signature of the spectator
• It can be a drawing or a signature - anything
• The card in the bottle is the card the spectator signs - no duplicate or switch.

This is Luke's excellently engineered confabulation routine. This routine combines several different methods to create a rather detailed prediction effect. The routine showcases the possibility of mixing such methods as mechanical forces, psychological forces, double writing, reverse engineered predictions, planted predictions and extending predictions using 'bolstering' techniques. Within the whole routine, the performer will only need to 'double write' three times. Each of these happen under the logical 'covers' of writing another piece of information. This is also a solution to the time delay...

Effect: Having just had a card freely forced, you table the deck. Your right hand hovers over it, then descends onto it. Suddenly... a card spins out of the deck and into your waiting left hand. On flipping it face up...it proves to be the very one selected! You are then carried through the streets on the shoulders of your enthusiastic audience.

Bonus: Cross: An ESP routine.

1st edition 2008; 4 pages.

I believe that Dennis Barlotta will soon be known as the foremost teacher of Slydini's system of misdirection. There have been others before that have tried to explain and teach Slydini routines, but nobody could capture the essence of what made Slydini the master of misdirection the way Barlotta has been able to.

Dennis has studied eight years under Slydini and has spent a lifetime mastering the Slydini method. Dennis told me: "While many magicians admire Slydini, they don't understand what made him unique or how his approach can be employed by them." This is the ebook that will help you...

Dennis writes:

I have studied a linking pin routine myself many years ago. It wasn't this Slydini routine, but the effect is very strong because safety-pins are familiar to everyone. And if you can do something magical with a common object then you have a miracle at your hands. Now you can learn a routine which the master of misdirection devised himself.

Dennis writes:

The spectator is offered the opportunity to create life. It's one thing for a mentalist to read a spectator, there are techniques for age estimation and cold reading is often used to explain traits of their personalities. This is not a demonstration of cold reading.

This is a demonstration of sheer thought reading. I would like you to create a character in your mind, somebody completely different from yourself - make this hard for me! I want you to decide upon, in your mind, several details of this fictitious person.

1. Whether they are male or female
2. Their hair color
3. Their first name ...