Magic & Conjuring: page 70

The ace through 10 of Diamonds are inserted into the pack, each card at a different location. The deck is shuffled and then Michael produces each card one by one in different ways using pop out moves, cuts, and other flourishes.

This is an improvement of an effect popularized by Eddie Fechter. However Eddie produced each card the same way using the gymnastic ace production from the Paul LePaul book.

runtime: 14min 46s

Featuring Infinity

Martin is demonstrating the difference between coincidence, or luck, and sleight-of-hand. This is a lovely routine where a spectator selects a card that is lost in the deck. The four aces are shown and one ace with the same suit as the spectators card magically turns face down while the aces are held by the spectator. Perhaps a coincidence. Then another card in the remaining deck turns face down. Luck?! The final climax when the two face-down cards are turned face-up is the transposition of an ace and the chosen card because the ace is found in the deck and the chosen card...

A very commercial routine where all is in the delivery and the script. Martin starts with a lovely Ping Pong ball gag. The main effect is the classic push a white handkerchief into your fist and pull out a red one. The method should be clear to everybody even though Martin will explain the basic mechanism and move. What you learn here are the lines and little bits of business that make this a commercial routine.

runtime: 6min 16s

This is the 'pick a card and I find it' type of effect, where the spectator's card is revealed with a color change. It is a nice sequence that could fit into many card routines.

runtime: 4min 37s

For the first effect you will need a cigar. Take off the cellophane cover and have a spectator twist it into a little string. Then have them pull off the cigar band and put it on the cellophane string. Both ends are held by the spectator. Under the cover of a handkerchief you free the band without destroying it.

The second effect is a neat stunt. While you attempt to light your cigarette with a match the lit match takes off and flies away - like a rocket.

runtime: 8min 39s

This is a subtlety to facilitate - or make it easier - to perform the pull-out or strip-out shuffle.

runtime: 7min 9s

Before the show you mail or give a spectator an envelope for safe keeping. At the show the spectator opens the envelope to find another smaller envelope inside. In this smaller envelope are three little pieces of paper. On these pieces of paper the performer recorded three dreams a few days earlier. The performer's dreams match the front page of today's newspaper as well as two spectator's thoughts.

runtime: 24min 44s

A deck is borrowed from one spectator and shuffled by another spectator. Darwin finds the four aces while his eyes are covered by the hands of a third spectator. He even discerns the suit of one of the aces by touch alone.

To pull this effect off you will need a bit of pre-show work.

runtime: 18min 28s

This is an extension of the Martin Gardner poker deal from Royal Road to Card Magic including ideas from Simon Aronson and John Bannon.

This effect starts out with a quick transformation. Two spectators select four cards in total. These four cards visually and instantly change to the four kings. Then Allan demonstrates how a cheat would stack a deck to achieve an advantage. The final climax is a Royal Flush dealt to himself and three kings to one of the spectators.

runtime: 15min 36s

This is a move for tabling a double. Rafael carefully describes the principles and details involved in this deception. Everything looks fair. Nobody would suspect that you tabled two cards.

runtime: 4min 59s

This is Rafael's combination of Marlo's Spread Change with the Slippery Drop. It is a very visual and surprising reveal of a card that was controlled to the top.

runtime: 2min 13s

A spectator is asked to take out a $1 Bill. The performer divines the city the bill was printed in and the serial number.

runtime: 15min 31s

This is classic Juan Tamariz, a longer routine with four effects. It uses the Tamariz memorized deck. In the explanation part Juan gives you the exact sequence of his memorized deck. Important to know is that there are no difficult moves. Most of the heavy lifting is done by the stack itself and some false shuffles and false cuts.

Effect:

Juan shows a full deck of cards and mixes face-up and face-down cards by shuffling, cutting and turning over packs. Then all the cards are assembled into a pile, the performer riffles the corners and the spectator peeks at a card. Without looking at the...

This is a nice routine where several times the black tens change into the red tens and then the red tens change into the black tens and it keeps changing like this several times. Performed in an off-beat manner this is a really strong effect.

runtime: 9min 49s

Do you have the perfect brain? Now you do!

Just take out a deck of cards and a pen. Let them shuffle the cards. Then have them call out random digits and proceed to write them on the backs of the cards until you have marked about 30 or 40 cards (or even the whole deck). Fan the cards in front of you for only 5-10 seconds to remember the sequence. Hand the cards to the spectator who called out the final number. You are ready to go:

At lightning speed, and blindfolded, you run through the numbers on the backs of the cards in the exact order they have been called out! Each time you are right,...

A spectator is asked to freely cut a shuffled deck of playing cards and hide the cut-off portion in his pocket, while the magician is standing far from the table with his head turned away.

The spectator puts the remaining cards back into the case and hands it to the magician. Without even looking at it, the magician weighs the card case in his hands. He is immediately able to tell the spectator the exact number of cards that are in the spectator’s pocket.

• Can even be done blindfolded
• The case is not gimmicked
• No force of any kind
• No stooges
• No questions
• No fishing
• No calculating...

A spectator (freely!) selects a playing card as her lucky card and is also asked for the initials of her first love (no force!). The initials are written on a piece of paper and the lucky card is signed by the lady. The paper is placed onto the card and suddenly bursts into flames. When the lady turns over her lucky card, she finds that the initials of her first love have appeared on the back of her lucky card!

This effect always creates an emotional impact and will be remembered for a long time. The card with the initials may immediately and without any switches be given out as a souvenir...

This is a dual language ebook (English/German)

"Of all the dozens of downloads I've purchased, this is among the two or three that have not disappointed. A bargain at twice the price." - Miky

The Effect: A spectator freely selects a playing card and loses it in the deck. You then show two "magnet cards" and place them on top of the deck. Without any moves, a card is suddenly sandwiched between the magnets. It is not the selection, but suddenly changes into the freely selected card. A real magicians' fooler!

• No difficult sleights
• No add on moves
• No card controls
• Spectator...

Oh no! Not another ACAAN version! But wait – maybe this one is a version you will use.

Stefan Olschewski took the old premise and turned it into a 5 minute performance piece that plays great in any setting, from close up to stage. And it will fool even magicians.

A chest is seen resting on a table center stage. You hand a key to a lady in the audience. Two spectators select a playing card and a number from 1 to 52 in the fairest manner. They may even change their minds as often as they wish.

Card and number are written on a sketchpad for everyone to see. The lady takes the key and...

The effect is unusual, typical Paul Harris - a word on a page in a book moves.

runtime: 4min 53s

A signed business card vanishes and reappears inside a sealed junk mail envelope.

Everybody receives junk mail and you probably have some lying around the house right now. Wouldn't it be great to do some magic with it and put it to good use? This video will teach you how.

This trick is very easy to do and very clever in its method.

runtime: 9min 5s

This is a take on the Twisting Aces plot with a kicker climax where the four of a kind change into a Royal Flush.

The four tens are taken out of the pack and displayed one by one. Repeatedly twisting the pack turns one of the tens face up. At the very end the cards change into a Royalt Flush.

Intermediate difficulty. runtime: 7min 30s

Dieses E-Buch setzt einen Meilenstein in der Mentalmagie. Es ist eine wahre Revolution in Sachen schneller Berechnung des Wochentages eines beliebigen Datums für den Mentalisten.

In der Enzyklopädie der Wochentagsberechnung werden alle Methoden - inklusive mehrerer bisher unbekannter Profimethoden - beschrieben, die es ermöglichen, den Wochentag für jedes Datum sowie Kalenderblätter nach dem Gregorianischen und Julianischen Kalender in weniger als 5 Sekunden im Kopf zu ermitteln. Auf Profilevel schafft man es in Sprechgeschwindigkeit.

Die Enzyklopädie bietet viele Kombinationsmöglichkeiten...

If you like the classic Card Warp effect you will love this related but nevertheless quite different effect. And you might have seen Charlie Fry's version of this trick - Ripped & Fryed - featured on the Paul Harris True Astonishment DVDs. Now you can learn the original and get all the tips, subtleties and pointers from the creator.

Whilst you can use this effect with playing cards it works equally well with business cards. In performance you introduce the subject of the big illusions that are being performed on TV. Although you haven't brought along all your apparatus with you perhaps some young lady...