Excerpt from the foreword:
Mr. Bellman has sent me many of his ideas. These I have sifted, adapted and eliminated so you get the cream. My own effects have passed through the same purging process with the result that every trick in this book is one you can work. Do not be satisfied with the mere reading of this book; follow it by practice. An effect that seems dead in the cold light of the formality of words often bursts into a flame of burning amazement when translated into Action. The true test of a trick is not how artistically it can be described, but the effect upon the non-magical...
A top-flight collection of 33 tested tricks and performance suggestions by two of America's greatest magicians and magic inventors, Milbourne Christopher and 'Hen' Fetsch.
We can't remember the last time we had so much fun enjoying a book on magic. No stuffy prose or verbose instructions here, Christopher and Fetsch reveal the inner workings just as if you're discussing them over a beer or burger at your favorite hangout.
Magic at Your Fingertips features chapters on close-up conjuring, mental magic, card feats, sorcery with silks and a wide assortment of unusual variety magic. It contains...
From the introduction:
It was that well-known West Country entertainer, Roy Van Dyke, who made me realise balloons can be used for more purposes than screwing into strange shapes sometimes resembling animals. He has a terrific opening trick that has colour, movement and noise that never fails to grab and hold the attention of today's show-saturated audiences.
The original ad read:
Secrets for the tricks in this book, if purchased separately from magic supply houses, would cost well over $1000. Here, in non-technical language, are hundreds of tricks that require no special apparatus; tricks that can be performed with simple, common objects to be found anywhere. Tricks with coins, rope, handkerchiefs, cigarettes, rubber bands, pencils, playing cards - objects completely free of trickery. Includes complete routines for a close-up act, a mental act, a children's show, and a catalog of magic and merchandise.
Harry Baron performed magic for over sixty years and was a Member of the Inner Magic Circle with the coveted Gold Star. His books have sold around the world and have been translated into many languages. Apart from writing Magic for Beginners he produced instructions for hundreds of other tricks. He owned his own magic studio and manufactured apparatus for amateurs and professionals. As a result of managing the conjuring department of the famous Gamages store for nearly thirty years, he met most of the world's leading magicians. He lectured and taught conjuring to professional groups, as well...
Excerpt from the Foreword:
Percy is an Australian and he has traveled all over the world, particularly in the Orient where he has searched out all the magic of the East. His head is full of the wonderful things that the Chinese, Japanese, East Indians and all those wonderful people of the East do.
We have had the opportunity to see and look through some of the Chinese books on magic and while we can’t read a word of it, yet the illustrations show some most ingenious devices and gimmicks and it is these things in which Abbott excells.
This new book runs the whole gamut of magic,...
Excerpt from the introduction:
The end is purely altruistic. There is little cash to gain in Magical Publishing, but loving Magic, I cannot help but write about it, and in writing, I fondly hope that I am helping many other conjurers to progress nearer to the perfection that cannot be fully accomplished on this mortal sphere.
I shall not eulogise the contents of this book, but I would point out that the complete cigarette act described has been worked exactly as described, and has proved to be eminently satisfactory.
There are many shows to be had among the various luncheon, commercial and civic clubs found in all cities, but they don't really like "fun shows." They prefer something with a message. The excellent program Dr. Reum has created here, based on his own experience, ties in with magic tricks you probably have at home. This is all tied in very neatly with the patter which is so suitable and so right for the organization show. It can also be exactly timed, which is also a must with these shows.
Dr. Reum was co-ordinator of student activities of the city of Denver, plus being obligated for many...
How to do magic easily and quickly, including illusions, stage magic, parlor magic, sleight-of-hand, and party stunts.
From the Foreword:
The Author of Magic For the Millions is a retired magician of many years experience as a professional showman, entertainer, writer, compiler and creator of humor. He lets us peek into the mysteries of magic; he regales us with a lot of new party stunts; he tells us what to do to amuse guests at the dinner table.
This is an excellent magic book that deserves to be known more widely. Bruce Elliott wrote in the foreword:
This introduction to a noble and ancient kind of amusement will lead you as a primer should, from the easy to the more difficult. It stops short of the really difficult, again as a primer should. It helps you on the road to becoming, for better or worse, a magician.
For the better? Yes, for a way to enjoy yourself, to get a kick out of performing something that is out of the ordinary. For the worse? If this book serves its purpose, you will have set your faltering feet on the rocky...
From the Introduction:
Let the reader not misunderstand the title of this book - the term "below" has reference to the Antipodes, where the writer has his dwelling, and not to those regions whence an earlier and more credulous people imagined the magician to derive his powers.
From the introduction:
In English-speaking countries very little is known about magic in Germany, let alone in other countries like Poland, Switzerland or Spain. Unless a magician from one of these countries attends conventions in Britain or America regularly, and unless he speaks English, he will rarely be known. The two German magicians I want to talk about in these Lecture Notes - one from each side of the former Berlin wall - are perhaps the two best known in Germany today. Their names are Joro and Jochen Zmeck - how many of my readers, however, have ever heard of them?
Joro's real name is Bruno...
Very well done strolling, walk-around, or restaurant magic. The effects are clear and have a strong impact, and most don't require any difficult moves. The first third of the book provides some general discussion of getting restaurant work and how to promote yourself. Beautiful illustrations have been drawn by Tony Dunn.
1st edition 2003 by The Cairn Press, 96 pages; 1st digital edition 2012, 92 pages.
Table of Contents
This is the only all magic issue of Science and Mechanics magazine. It includes a cross section of magic effects from illusions with building instructions, to various close-up effects and mentalism. The emphasis with this magazine was to encourage readers to build their own. It therefore has a distinct DIY feel. The magic consultants for this issue were William B. Gibson, Sidney H. Radner, Litzka Raymond, and Victor D. Dressner.
From the introduction:
The word itself, "Cabaret", carries overtones that conjure exotic pictures of nude dancers, the "Moulin Rouge" and German Beer Cellars; a sort of high-class iniquitous entertainment enjoyed by the lucky few. But that is all changed. It's been brought down to the level of the man-in-the-street. Now he can have a ringside seat for dining, dancing, drinking, a show ... and gambling.
Yet he won't take advantage of all this 'loose-living' unless there is also a "SHOW", as the proprietors of these establishments well know. There is a plethora of singers and 'groups', and...
A lecture in the art of close-up magic.
Excerpt from the introduction by Val Andrews:
One of the most interesting "characters" in the London Magic Scene, as well as being one of the most good-natured men I've ever met.... that's Bobby. A great magical enthusiast, a great talker, the centre of every gathering he attends (though not of his own choosing).... that's Bobby.
Always he has retained this keeness for what he calls "Magic in Miniature" and this has been the one anchor of an otherwise erratic young man.
His great enthusiasm, for practically everything, and his willingness to perform his...
This is a work most will not be familiar with. Many will dismiss it with 'another old magic book'. But those in the know have carefully studied it and hold it dear as one of the most valuable books for a working professional magician.
It is the original and the only one of four places where Annemann's bullet catch is described, because it was Orville Meyer who supplied Annemann with the method. All the three other places where this is described are out of print and hard to impossible to find.
And now this lost Orville Meyer gem has been made even more valuable by extensive annotations and a new...
1st edition 1974, 128 pages; 1st digital edition 2013, 109 pages.
Table of Contents
From the introduction:
There is no more fascinating study, when once an interest in the subject has been aroused, than conjuring - or, as it is popularly called, "Magic." One of the most delightful of all pastimes is the inventing and performing of new tricks, and watching their effect upon the audience - who do not know the secrets of the various "sleights" performed. We all know how fascinating the professional conjuror's entertainment is, - and how mystifying! So I propose to take my readers, - in the present book, - into the very heart of the mystery - to explain exactly how the important...
This is a lovely and unusual publication with more than 200 feats described. Walter B. Gibson had a magic column in the Public Ledger, a newspaper in Philadelphia. The entire run of his columns is collected in this publication.
You will find many simple magic tricks as well as some puzzles, stunts and brain teasers. While many will be familiar to most who have read similar collections of little tricks, there are a few real surprises I have not seen anywhere else.
1st digital edition 2013, 246 pages.
Table of Contents
An excellent selection of tricks by no other than David Devant. From his introduction:
I have always maintained that the art of the conjurer is closely allied to that of the actor, but with this difference: the actor selects a character and impersonates it. He has all the advantages of a proper dress, suitable to the character he is playing, of beautiful scenery, and music, and lighting, and the various other little things which are comprised in the theatrical word “effects.” The actor has all these aids to assist him in persuading people that the man they see is not the actor, but...