This new e-book contains five of U. F. Grant's forgotten and almost lost card miracles. The first four effects are from a booklet released in 1931 that contained what Grant considered to be his four best card effects. The release was called: Counterfeit Card Miracles. It is very rare and almost impossible to find today. Devin has taken the four effects and updated them and expanded the directions. These are real magician foolers!
#1- A spectator shuffles his own deck of cards and looks at one, remembering what number from the top that card is. For example, he may choose to remember the card...
Please note that this video is in Vietnamese. There are some English subtitles, but for the most part you will get the instructions of how to make the gimmick and how to perform with it from the visual contents of the video.
From the brilliant mind of Vietnams top magicians Duc Thinh and Hoang Sam comes a very clean mis-made card effect. A corner of the spectators signed card switches inside out and switches back with very little movement.
1st edition 2016, length 16 minutes.
Please note that this video is in Vietnamese. There are some English subtitles, but for the most part you will get the instructions of how to make the gimmick and how to perform with it from the visual contents of the video.
A novel gimmick to achieve visual magic with cards and rubber bands. A rubber band appears impossibly wrapped around a deck of cards. Instructions provide the details of how to make the gimmick and how to use it.
1st edition 2016, length 36 minutes.
Do a color change, while the card is on fire!
This is a really nice color change, with the added touch of changing a burning card into a different burning card. Included is a method to make the first card travel from the deck, into the box. The change will take some practice, as it uses some un-orthodox moves, but is well within the skill of the average card handler.
1st edition 2016, length 10 minutes.
Ian delights in finding forgotten gems in classical card literature, which he then refines and updates for modern day audiences. In this manuscript, you will find a further five effects which have received Ian's careful study and are sure to delight both you and your spectators.
In Miraskill Detour Ian has taken the classic Miraskill and turned it into a totally impromptu and self working mystery, while in the process managing to streamline the procedure and still maintain the strong impact of the original routine.
MBJ Echo is a re-working of an old Henry Christ trick, simple both in effect...
Box'ing is a principle that allows us to reveal a spectator's selection using a card box.
Effect:
You show an empty card box and a deck of cards and hand them both to a spectator. They select a card and bury it back into the deck. Now you say that you are going to find their card using the card box. You then take the box and shake it. They hear nothing. Now you slowly tap the box on the deck and gradually a rattling sound is heard from silence which suggests that something appeared inside. Now they open the box and find a corner of a card there. Now the spectator removes their selected...
From the Foreword:
I sat down and described, in detail, fifteen of my favorite effects and routines with ordinary cards. Effects that you can do anywhere, any time, with any deck and under almost any conditions. Of the fifteen, only four begin with the standard "pick a card" opening.
I've used the same format as I used in Close-Up Card Magic and Personal Secrets - that is, I've gone directly into the method and presentation in most cases. And - since I usually write an effect in one sitting, I most often come up with a thought or two after it is written. Therefore - the "Afterthoughts." Don't overlook...
More than 40 years ago Jon Racherbaumer wrote a book on the Universal Card plot introduced by Karl Fulves. This is an updated and expanded version.
Two monster card routines and an exposé and a video of Paul performing and explaining the Bluff Pass in detail! Paul has the very best rendition of The Bluff Pass that never fails - even when you perform it for magicians.
1) KING PEN - Venture into a magical card adventure with the Notorious X card...a hardened criminal. He escapes prison but the two red King Guards chase him down and return him to prison. This routine is a lot of fun to perform and you will learn some cool sleights and displays that are very little-known but are extremely deceptive.
2) PARALLEL UNIVERSE - This effect...
You punch a hole thru the corner of two signed playing cards. You clearly show both sides of the playing cards and instantly link them together! But that's not enough. You tear off one corner and make it vanish only to appear inside of the signed playing card while the spectator holds the cards in his hands! The corner matches perfectly. Give the cards away as a Souvenir. They will find nothing. Perform it close up and stand up. The gimmick is easy to build.
1st edition 2016, length 27 min
Another collection of pasteboard this-and-that crammed into 50-odd (very odd) pages pages. Actually, including titles and whatnot, there's 60-odd pages. Tricks, thoughts, subtleties and more. All specially cobbled together to tickle the palate of the discerning and infuriate the sad few who profess not to like card stuff. Nothing difficult, complicated or gimmick-strewn. A bit of fun for fun-inclined persons.
Let someone choose a card, and then put the card back in the deck. The spectator himself can shuffle the cards, and then lay them on the ground, face down. You now claim to find the card, without your hands touching them. Now you step on the cards on the floor, and show the spectator a card, which is underneath your shoe. But It is not the card the spectator has chosen. But no problem. You step a second time on the floor, lift up your shoe, and now the card has turned into the one, chosen by the spectator!
You require:
The descriptions below are purposely very detailed so you have an accurate transcription of what is seen by the spectator. Note that he can genuinely shuffle the deck as he wants (overhand, riffle, hindu, etc). No sleight or secret move from the magician. No marking system. No gaff or any hidden gimmick. Only use a regular deck.
EFFECT #1: While shuffling a deck of cards, you proclaim to have a sixth sense that enables you to feel things around you without the need for seeing, hearing or touching them; like detecting pulse beats from a close distance. To prove it, you invite a spectator to...
This in-depth study of The Breather Crimp Card will raise your card work to new levels. Included are some Photographs plus videos of performance and explanations of 4 great sleights (Benzais Spin Out Move, Hollingworth Multiple Shift, Bernard Bilis Switch, Brother John Hamman Switch).
This is NOT a "primer" of how to use a key card...but an easy guide of "professional applications" for use of the Breather Crimp and some very strong tricks.
To begin with, Paul provides an in-depth introduction of the use of Breather Cards, different types of Breathers, patter ideas and justifications and tips on becoming...
From the introduction by Caryl S. Fleming:
Written, tested, performed and compiled by my good friend, Dr. Laszlo Rothbart, of Budapest, Hungary — a Doctor of Medicine — Secretary of the Circle of Hungarian Magicians — an outstanding Magician among Magicians with an ever increasing interest in all things Magic and an highly constructive mental capacity for invention, adaptation and presentation.
From the introduction:
The Four Ace Trick is deservedly popular. There are many versions, from the semi-automatic to the almost impossible finger-flinging variety, so it's within the scope of every performer. It starts, necessarily, with the abstraction of the four Aces. One can simply run through the pack, locate them and toss them out. Or, if you want considerably more impact, you can produce them magically. That's what this is all about ... producing the Aces in an interesting way as a lead-in to whatever Four Ace Trick you normally do. Here, you'll find both easy and more complicated...
The presentations in this manuscript are homage to the nonmanipulative, off-the-cuff approach taken by Chan Canasta.
The material is stuff Jon has published elsewhere, mostly piecemeal. The thrust of the ebook, though, is how these effects are PRESENTED in a CANASTA WAY. This then is its organizing principle. It is basically designed to demonstrate Canasta's approach. The material is easy and commercial.
1st edition 2016, 25 pages.
This is an electronic facsimile of the deluxe edition of Duffie's Card Compulsions that was published by Richard Kaufman. Illustrated by Joseph K. Schmidt with an introduction by Roy Walton. Besides the wonderful card magic you will also find artful drawings of sparsely clad ladies. And let's be honest folks, this is the real reason you should buy this ebook.
Contents:
From the Introduction:
Within the pages of this volume, the reader will find many effects which may easily be incorporated into a program of exposes, or as part of a manipulative act. None of the effects discussed in the first section require sleights more difficult than the doublelift. Many a performer will want to credit the occurrences to his own skill - even though none is involved. While at no time should the Lecturer attribute the happenings to "magic", a fairly plausible cause is sleight-of-hand.
...
Included in Section II of this volume, I have given the reader an illustrated...
A complete mental act with an impossible object!
You present a bottle with a full deck of cards inside. (You can hand out the bottle for examination). The spectator selects one of five playing cards (no force!). With the heritage from your grandpa you are able to reveal any selected card.
You can perform this on stage and even close up. Build the routine up to 4-5 minutes.
You will learn:
The Gemini Motif is an apparently fair-looking, semiautomatic dealing procedure that forces two, three, or four cards, depending on its application.
1st edition 2016, 31 pages.
From the introduction:
"Four Ace Tricks" there are in plenty and most are effective when properly handled; at that, they can rarely be as telling as a complete routine. Here is my own Four Ace Routine formed over the years of bits and pieces from everywhere. I've found it extremely useful, for example, at dinners, and also at parties where I've been asked 'to do a trick '...commonly known as 'singing for one's supper'. I would do this, and no more. It proved sufficient yet always left them wanting, which is how it should be. A modicum of sleight-of-hand is needed....
The description of the...