(Two videos included which explain everything.)
MIRAGE - a brand new concept in card magic - and particularly in the realm of paradoxes - a magician-fooler!
Plus two other brilliant "workers" are included below. Here is what the spectators (and magicians) see...
Two paper-clipped, red-backed cards are laid on the table at the onset ... your magician buddies are watching closely. A card from a blue-backed deck is selected and signed by the spectator, then lost back into the deck. The two red-backed, paper-clipped cards are openly picked up and one card is taken into each hand. The hands...
Six different effects, coins, cards, drugs, money, tarot cards, plus 8 "rapid fire" ideas to take old props and ideas to a new level.
Quarter Bird
An update on the classic "pen behind the ear" vanish where the signed coin ends up in a nest of boxes that appears in the magician's hand.
The Target Card
A signed card across where the deck of cards becomes a makeshift weapon as the spectator fires the gun (with sound effects and all) causing his card to appear across the table.
Gift Vision
After seeing this, you'll dig our your Color Vision out of your magic drawer and actively begin...
From the Introduction:
Here, as always, I have assembled a varied lot of material in the hope that all tastes will be satisfied. It is all original; or as much so as conjuring creations usually are. I am particular in this regard, for I am almost morbidly sensitive to any charge of "piracy." This is strange when one considers that mine is the honour of having introduced the Jolly Roger as a conjuring property.
From the Introduction:
Remember that the average act, which can be acquired by anyone without much practice, is seen on the Halls so often that one becomes absolutely bored with it. They are known in the profession as “Penny a bunch Acts.” Now with a little application, you can stand apart from this bunch, and be a specialist, so this book is offered in the sincere hope that you will be able to glean an act from it, and we tell you to do so in all confidence, as the material is original, and has seldom, if ever, been used in public.
From the Foreword:
In presenting a further selection of secrets to the fraternity, I have again chosen these of general interest. It will be understood that these secrets are written for the advanced performer. Where the item is an improvement of a known effect. I have taken it for granted that the reader is familiar with the working of same; should he not be so, however, full descriptions will be found in the standard text-books on Magic.
From the Foreword:
In selecting these Secrets, I have endeavoured to interest the Fraternity at large. Whether you are a manipulator, impromptu or spectacular worker I trust you will find herein some secret that will add to your reputation as a magician.
The secrets are chosen from over 300 which I classified when writing The Whirlwind of Wizardry and while many are not complete tricks or effects in themselves they are just what adds that little extra touch of smartness to an act, or that little effect to fill up a break.
From the foreword:
Watches have always played a certain part in Magic, but the watch was usually a borrowed one. The excellent "prop" watches now on the market, manufactured of course exclusively for conjuring purposes, open up almost a new era in watch magic.
Having acquired some of these, I endeavoured to work out some effects therewith, and thinking that some of my ideas may be of service to my fellow magicians, I have put them into print. With the exception of those described under "Some Suggestions" all the effects have been actually worked, and the various stands described are easily...
Of particular interest are the various ideas to how to transmit information secretly.
From the introduction:
To those amateurs and to my numerous professional friends who delight in new books, I send forth "Magic and its Professors," trusting that it will prove of interest to them. Part III is a symposium on magic by some of the best performers and inventors of the day. I sincerely thank them for the labor of love which they have rendered. I am indebted to Mr. T. Francis Fritz, the editor of Mahatma, and Mr. William J. Hilliar, editor of The Sphinx, for the right to reprint in book form some of the valuable exposes contained in their respective journals. I am also under obligations to those...
From the preface:
Card Tricks and Conjuring Up to Date, by reason of recent additions, having become too large for one volume, I have decided to divide it into two, and now present Conjuring Up to Date by itself, in which I give a description of the very latest tricks, thus making it realize its title of "up to date."
In the other volume, Card Tricks With and Without Apparatus, will be found the most recent additions which have been made to escamotage des cartes. When both these volumes have been digested, students in legerdemain are advised to make a study of the more advanced conjuring...
This is an excellent magic book that deserves to be known more widely. Bruce Elliott wrote in the foreword:
This introduction to a noble and ancient kind of amusement will lead you as a primer should, from the easy to the more difficult. It stops short of the really difficult, again as a primer should. It helps you on the road to becoming, for better or worse, a magician.
For the better? Yes, for a way to enjoy yourself, to get a kick out of performing something that is out of the ordinary. For the worse? If this book serves its purpose, you will have set your faltering feet on the rocky...
This was Sam Dalal's first publication. It was written for the cabaret artist, the magician who is called on to give a "Spot Show" of about 10 to 15 minutes duration. Every item is applause tested, simple in execution, and lends itself to an amusing theme.
1st edition ~1970, 20 pages; PDF 23 pages.
From the hidden recesses of Musson's mind comes Forty-Four Foolers - a veritable gold mine of magic ideas and tricks that you can do. It covers such a large variety of effects that, regardless of whether you're a mentalist, magician, ghost show artist, manipulator, night club performer, parlor entertainer, or stage illusionist, you can find something of value in this ebook.
Inside you'll find new tricks with liquids, cards, balls, kittens, silks, cigars, cigarettes, alarm clocks, watches, thimbles, tumblers, needles, coins, and stage illusions. Read over the brief descriptions of a few of...
This was Robert Harbin's first publication writing under his real name 'Ned' Williams. Already noticeable in this first work his creative genius.
Break into the world of table-hopping, banquet, restaurant and casino floor show magic with this insider's handbook. Elray, a former top entertainer, reveals the ins and outs of this lucrative field in this hard-to-find handbook.
To be a successful nightclub entertainer, you not only have to be different in your own style, but you have to present a different style of magic. This ebook lets you in on this secret world - from behind the scenes - so you can profit by it. Many effects were revealed here for the first time in print - tricks specially adapted for nightclub work.
Here's a partial...
Manipulative or sleight of hand magic is undoubtedly the purest form of the conjuror's art. Now you can add more than 20 beautiful and entertaining effects to your routine. Edwin A. French was a true artist, as shown by the moves that are well described by Chas. C. Eastman. Add to this the line art by none other than Nelson Hahne, and you have a combination that is hard to beat.
In addition to French's artistry, this edition also includes additional effects by Murray Sumner, John Morin, Nelson Hahne, Joseph Walker, Bert Douglas and Sid Lorraine.
While it's hard to be partial, as we like all the material, the Penetration effect is especially...
Some have argued that George Kaplan's Fine Art of Magic is the best magic book ever published. Juan Tamariz, who wrote a foreword to this second edition, says: "Hardly a performance where I do not include an effect from this book. It's the only book that contains only good and excellent tricks."
This magic treatise has stood the test of time. It has become a standard magic reference work. The First Edition is one of the most sought after magic books and is now available in its Second Edition, which incorporates additions and corrections from Kaplan's own notes, as well as adds more than 25% new and...
From the foreword by Jeffery Atkins:
To a true lover of the Magic Art, the name of David Devant conjures up every conceivable facet of illusion. He was truly the Master of his craft, and as long as the art of deception continues the name of David Devant will live.
This was Goldston's first magic publication, a mix of magic, some juggling, and a bit of other variety arts such as shadowgraphy and chapeaugraphy.
From the Introduction:
To make this work more attractive than the general run of books on Magic, the following articles have been introduced: - Hypnotism, Smoke Pictures, Hand Shadowgraphy, Elocution, Art of Making-up, Hoop Rolling, Ventriloquism, Stage Illusions, Lock Tricks, etc., in conjunction with Conjuring.
From the preface:
Fabian's contributions to the Supreme House Journal The MAGIGRAM, the items edited and photographed by the Late Lewis Ganson, will be well known to so many magicians throughout the World.
Acknowledged for their novelty, routine and presentation, the tradition is continued within these pages, the effects forming the lecture notes of Colombini. The items are described and photographed in detail so that the reader may be able to duplicate the tricks etc., without actual recourse to the lecture itself.
From the preface:
This book first appeared in 1953 in serial form in Goodliffe's ABRACADABRA. At the time it was the first treatise to be published on the subject and many people were kind enough to say it helped them overcome the difficulties always found in after-dinner shows.
All the information it contained was learned by experience as it was a field in which I specialised. And, although it was written nearly thirty years ago, almost nothing has changed; which is surprising when you consider the sweeping changes in other spheres of entertainment.