Theory, Articles & Reviews in Magic & Conjuring: page 5

This volume, Volume 10, will be the last issue of Triplets. It will include Magic News including some new contacts and various pieces of magic news. Following this will be many "Thank you's" to all the people who helped me over the years.

The next essay will be a retrospective of the theories that have guided my movements of minimalism and streamlining. These go back to the 60's and 70's when every trick in every magazine ended with "lap the extra item", to end. Many other trends began with ideas that were ahead of their time. While there have been great thinkers along the way, my magic...

This issue will begin with an essay called "What a Place for a Mission Statement!" by Gregg Webb. Indeed, 9 issues in and a Mission Statement? Anyway, it should make Gregg's position on magic even more clear for any newcomers.

The next section is about ideas for mentalists. Here is how to revamp your entire lifestyle to make it easier to convince others that you are a mentalist ... before you even begin. You don't even have to change your name (although in some cases it may help). Other ideas include having your business card re-printed differently. And, looking through your wardrobe....

This is an all-mentalism issue, and the first essay is about the various kinds of mentalism, to help you describe your "powers" to your audience. These include Thought Reading, Remote Viewing, Precognition, Drawing Duplication, Clairvoyance, Psychometry, Living and Dead Tests, and also Metal Bending, and Psychic Healing (Faith Healing) and unusual "powers" such as Handwriting Analysis. Calling your feats by the correct type of power will go a long way in establishing yourself as an expert.

The next essay is about presentations that may be new to you so that your act will have more thought...

A dictionary for the language of horse racing, dice and cards, bookmakers and runners, touts and tote boards, a colorful but expensive language to learn first-hand from the natives.

Excerpt from the preface:

If you think you have no creativity in you, you should read this article. Gregg describes concrete examples of his own creative process and development and how you can start with baby steps to ease yourself into becoming more creative. Progressively you take bigger and bigger challenges to ultimately create your own tricks.

Gregg Webb encourages magicians to create some original magic tricks, even though there is plenty of good material out there, for several reasons. It is a good exercise for the part of the brain that thinks creatively, and that part gets stronger by use. Also, even though...

In March 2022 there was a unique gathering of professional magicians in Sydney Australia. Joel Howlett was one of the lecturers on the bill and he discussed performing exciting visual magic that caters to modern audiences who have shortening attention spans.

Participants were invited to take an honest look at the effects they were using before the COVID pandemic and reassess if they might be a little slow-moving for today's audiences. This PDF is a brief outline of the points discussed.

1st edition 2022, PDF 7 pages.

Overture - Prelude - Scaffold as alternative presentation modes for crafting a magic routine (conjuring or mentalism).

What to do with a mixed or new live audience where little is known about their experience with live magic, conjuring or mentalism? (might apply to Zoom type presentations as well)

How can you discover their interest and expectations for what you can offer without wasting your best routines or risking interruptions?

This ebook will guide you through an exploration of three alternative presentation modes with a 'mixed audience' where little is known of their expectations,...

A practical guide to creating a basic professional virtual studio.

Times have changed and virtual magic shows have become commonplace all around the world. Do you have a virtual studio in your home and do your Internet broadcasts come across as professional? Or do you shy away from the technology and not sure where to start? Here is a great booklet aimed at the beginner in the virtual space who has a limited budget. A few options are shared, from basic to advanced, including how to make the best of what you currently have, and how to add to your studio with various simple, professional, yet...

A collection of stories, poems, and reflections about magic - inexplicable phenomena in life that impact our audience, or you as the performer. This can be inspirational or focusing for novices, amateurs, collectors, or professionals. I wrote this a decade ago as a Christmas gift for magic friends around the world, but it could be an ideal gift to others or self at any time.

"This book is written for those who have chosen to make of performance magic something more than an onlooker or student - those called magicians, conjurors, mentalists, illusionists, and magical entertainers (and their...

Tips and tricks from a Vaudeville professional including openers, audience appeal, costume, make-up, and a lot more. The ideal is to have a director who pays attention to these areas, but most magicians are performers and directors rolled up into one person. It is therefore important to read and study showmanship and presentation.

From the introduction by Park Shackleton:

Do not stall and draw out your magic waiting for the end of your music. Do not rush your magic cutting corners and hurrying to fit the music. This text introduces you to the basic functions of music editing. Using music as background, or choreographing a routine to music is possible through editing. Take your show up to the next level using music you edit, to fit your manipulations and performance.

• Types of music
• Create your own music
• Advantages of editing
• Music editing software
• Basic overview
• Cuts, copies, and other editing
• Wrapping it up

1st edition 2021, PDF

Let's face it, once you step in front of an audience you not only have to be seen, but you have to be heard. And just like the sleight of hand in your show has to be the best it can be, the sound has to be the best it can be as well. Your audiences deserve better than 'it's good enough'.

Sound Advice For Magicians was written out of a lecture I do for magic clubs and clown alleys because I saw too many talented performers bomb in front of audiences because their sound system failed or the people running them were incompetent. In addition to performing full-time for over 40 years (with many...

Is she part of the show? Or is she eye candy for the audience? There is a difference between a cosmetic and functional assistant. This text identifies the difference and helps you get started searching for, and working with an assistant.

• Assistant Profile
• Business Considerations
• Assistant Functionality
• Team Profile
• Finding an Assistant
• Assistant/Magician Relationship
• Production with Assistant
• Wrapping it Up

1st edition 2021, PDF 25 pages.

Out with your friends just to enjoy the evening. The manager comes up to you and says one of the acts did not show up. He asks you to do a 20-minute set. You didn't bring anything with you. All you can work with is what you can find on hand. Could you do it? This ebook offers some ideas you could use.

• Real events
• Don't panic
• Relax, take your time
• Audience must believe this is natural
• Look around
• Wrapping it up

1st edition 2021, PDF 16 pages.

Learn some "real secrets of magic" - not the stuff that comes in the box. Gleaned from 60+ years of performing under various conditions. Dozens of quotes, ideas, ponderings and quips about performing magic that will change the way you perform, deal with audiences, create routines, select volunteers, practice and more.

No magic effects are taught here, just exciting ways to be better at what you do - and to appreciate being a magician.

1st edition 2018, 16 pages.

The difference between an average and great magician is the audience connection. Audience members text, talk with their neighbors and do other things because they are not tuned in, connected, with the performance. This ebook identifies the connection, points out the importance, and covers a few tools magicians can use to capture and strengthen that connection.

• The Audience Connection
• Capturing the Audience
• Different Connection Tools
• Working the Connection
• Wrapping it Up

1st edition 2021; PDF 17 pages.

If you suffer from any kind of performance anxiety (and Kellar, Thurston, Houdini, and many prominent present-day performers have had to deal with it, too), this could be the best purchase you'll ever make.

There's nothing like the healthy satisfaction or "natural high" that comes from giving a great performance. Yet if you suffer from performance anxiety (commonly known as stage fright), then you're missing out on one of the best feelings that entertainers can experience. When you're ready to rid yourself of these demons, this manuscript contains 40 proven ideas that have helped others like you to put aside...

Everyone has creativity. When you select the color to paint a room, pick out an outfit to wear or the wrapping on a present you are exercising a form of creativity. One only has to recognize that, and learn to develop it. New magic is the result of someone coming up with an idea and developing it into a trick/routine. This ebook identifies creativity and the creative process. I have included a step by step narration of one of my signature tricks "the magical egg tray". The process begins with an initial idea and works through sequential steps to bring the routine to the finish. Creativity, like...

The oldest, most pernicious, and insoluble problem in the history of magic was stated best by Henning Nelms, in his 1969 Magic and Showmanship: A Handbook for Conjurers ...

"No matter how astonishing a trick may be, it suffers from one major fault - it has no point."

This ebook is the long-sought-after answer to that statement.

[Please note that access to appendix 11 and 12 requires registration at the author's website.]

• Acknowledgements
• Foreword by Eric Evans
• Preface
• A Long Time Ago
• A Lot of Simple Tricks and Nonsense
• Best Star Pilot in the Galaxy
• Scum and Villainy
• Hokey Religions and Ancient Weapons
• What Are You Trying To Push on Us
• Tremor in the Force ...

Jastrow wondered if the pursuit of sleight-of-hand conjuring develops any special motor or mental powers. He invited Alexander Hermann and Harry Kellar and put them through a range of tests comparing them to average folks. In this article you will find out how these two giants of conjuring compare to the average.

From the introduction:

This study identifies deep lying instincts and impulses of the psychic life are the basic elements in conjuring. Its aim is to show the psychological reasons of deception of a magic effect. It also provides an extensive classification of magic tricks.

Contents:

1. Origin of Conjuring.
2. Classification and Typical Examples of Modern Conjuring Tricks.
3. The Training of the Conjurer.
4. Psychological Justification of the Rules and Practices of the Conjurer, treated under
   1. Attention
   2. Perception
   3. Suggestion and Association
   4. Suggestion and the Law of Economy
5. Sociological and Pedagogical Observations. ...

This article makes an effort to analyze the different processes by which sleight-of-hand illusions are produced in the mind of spectators. Different causes are identified by studying various illusions and observing performing magicians in the lab.

1st edition 1894, 17 pages; PDF 15 pages.

This work compares the contents of Jean Hugard's Encyclopedia of Card Tricks, Encyclopedia of Self-Working Card Tricks, and The Second Encyclopedia of Card Tricks by Glenn G. Gravatt, to see which effects and discussions were kept, altered, or deleted by Hugard. It will also identify those effects added by Hugard.

1st edition 2020, PDF 19 pages.

Magicians are exposed to all kinds of magic. Illusions, card, coin, close-up, and other types of magic pass through our hands/eyes almost on a daily basis. There is no way a magician can remember them all. But with a good backup system, bringing them back into your performance can be easy as read/follow instructions.

• Preface
• What is backup and purpose?
• Where do I start?
• Time to input information
• Cross reference sheets
• Keep it up
• Wrapping it up

1st edition 2020, PDF 16 pages.

This is an interesting analysis of how a magic trick works in terms of psychological processes. A better understanding of the underlying science does help the performing magician.

Translated from the German by Mrs. Emily S. Boyer. The original German essay appeared in Psychologische Skizzen by Edmund W. Rells, which was a pseudonym of Max Dessoir.

1st edition 1893, PDF 21 pages.

Jastrow explains the various types of deception and discusses in particular how conjurers as well as spirit mediums make use of them.

1st edition 1888, PDF 10 pages.

The famous British mentalist, Maurice Fogel, leveraged his success as performer to branch out into the self-help category, by writing this book. He writes:

• Foreword
• The Mind Is Lazy
• Controlled By Subconscious
• Secret Of Hypnotism
• Learn To Relax
• Power Of Suggestion ...

In this second manuscript in Fogel's Top Secrets series, he explains his system of how to develop a new routine, what he calls "The Fogel Formula". It is a system of how to structure and proceed with your training and development towards a particular goal. Fogel is using his success system for things he wants to achieve in general not just magic.

Fogel demonstrates how his formula operates by applying it to a question he often received after his shows: "Can you tell fortunes?" To address this frequent question he developed a particular routine involving a zodiac chart. The chart, the routine,...

The close of your performance is your last chance to make a lasting impression on your audience. It should bring the audience to the peak of excitement, energize them and leave them talking about your magic. This text identifies the goals of the close. It provides examples and suggestions to help you develop a strong, effective close. Future performances often depend on the posture you leave your audience. Pull out all the stops, use all your tools to make your close one to be remembered.

• Basic Show Composition
• The Build Up
• Close Goals
• Tools for The Close
• Sample Closes
• Document
• Wrapping...

It's witty and it's full of wisdom. These are the ramblings of Mark Lewis on Internet forums. Irreverent and funny at times and full of deep thinking about magic and mentalism at other times.

Many incredible anecdotes of his varied life as a fortune teller, magician and hypnotist. In addition to this are techniques described on how to pitch svengali decks, how to do psychic readings, and most important of all how to do magic with showmanship and verve.

Included is a video clip of his legendary svengali deck routine which he has performed all over the world thousands of times plus tips...

The two most important elements of a performance are the opening and close. The opening sets the environment for the audience to be entertained. The close is the magician's last chance to leave a lasting impression on the audience. To be effective, the opening must meet specific goals. This text identifies them and provides ideas, samples and recommendations to help the magician attain them.

• Show Structure
• Primary Opening Goals
• Types of Opening
• Opener Planning
• Sample Openings
• Document
• Wrapping It Up

The real secrets on how to become the greatest magician in the world. Dedicated to the discerning conjurors, the cheaters, the liars, and all other lost souls - whatever age, who want to impress, manipulate, and magish other people for profit, fun, or just entertainment.

Included is a very clever and creative book test, for all of you who require a strong effect to justify the purchase.

The truth is delivered as a satire, which makes it a fun read, but at the same time delivers a profoundly deep and true message.

• About the Author
• Part One
  • Introduction
  • The Basic Principles
  • The...

Not a trick in the ebook, but contains more real information on how to entertain with magic than you can get by reading a hundred others. Gives details so frequently neglected. Invaluable to any magician, for not only must one know how to do tricks, but he must also understand how to make his tricks entertaining.

• Preface
• Hermann Pallme
• Foreword
• CHAPTER I. History Of Magic
• CHAPTER II. The Literature Of Magic
• CHAPTER III. Educational Value Of Magic
• CHAPTER IV. Magic As A Profession
• CHAPTER V. The Study And Practice Of Magic
• CHAPTER VI. Concerning Deportment
• CHAPTER VII. The Dramatic...

This is an early version of what would eventually become Magic by Misdirection.

A detailed analytical treatment of the principles and methods. Explores the psychological basis and its adaptation to the performance of magic. Many detailed ruses included covering the entire field. How to develop misdirection to fit all situations. What it is and how it works. The first concrete work on a subject that is common to all effects and all performers.

Paul Fleming wrote:

With 1000s of magic routines available, why do many magician's perform the same routines, without any change, modification or effort to make those routines unique?

The Creative Mind is simply Don Bursell's ideas for creating new routines, brainstorming new variations, and keeping track of those ideas.

The 2nd half are tricks that Don has created over the years, and based on advice from Jon Racherbaumer, wrote them down so as not to forget them. One of them, Headmover, has been an odd signature piece of Don's programs for over 20 years. Another routine, The Needles, is Don's solution to the East Indian...

You do not have to hire a director, choreographer and technical designer to produce your own professional show. This ebook covers the environment, building your outline of magic, using music, and developing your show. Learn how to fine tune your performance through rehearsal, problem area recognition and the flow from opening to your finale. A high-quality professional production is within your grasp using a lot of materials you may already own.

1. Set the stage
   • Backdrop
   • Sound, P/A System
   • Music
   • Lights
   • Working tables, etc.
   • Transporting
   • Cases, boxes, bags trunks and carts.
2. Show components ...

This bibliography collects about 2000 works that deal with tricks and illusions, and with the varied deceptions that are usually presented as part of a conjuring entertainment, including automata, chapeaugraphy, chemical and electrical tricks, escaping, fire handling, gamblers' tricks, hand-shadows, juggling, lightning sketches, optical illusions, pseudo-spiritualistic manifestations, second sight, thought reading, thought transference and ventriloquism. The list includes languages other than English in particular German and French books. Excluded are books on the so-called occult arts, but...

Sam Sharpe reprinted three of his books under one title called Magic Artistry.

• Part One: Good Conjuring
  • The Objects Used
  • Misdirection
  • Construction
  • Characterisation
  • Technical Mastery
  • Dramatic Ability
  • Manner
  • Speed Of Presentation
  • Style
  • Magic-Artist Versus Showman
  • Summary
• Part Two: Poems In Illusion
  • Catching The Post
  • Card Bubbles
  • Love: The Magician
  • The Two Jewels
  • Reflected Thoughts
  • Citizens Of The World
  • The World’s Pearl
  • Poor Yorick!
  • Alice In Conjureland

1st edition 1936, 40 pages; 1st digital edition 2019, 39 pages.

• Part One: Good Conjuring
  • The Essence Of Magical Criticism
  • Audiences
  • Audience Mentality
  • Conditions Of Presentation
  • Variety Of Methods Desirable
  • The Elements Of Magic
  • The Magical Plot
  • The Dramatic Plot
  • Fantastic And Pseudo-Scientific Plots
  • Pure, Story, And Symbolic Magic
• Part Two: Poems In Illusion
  • Narcissus
  • By Candle Light
  • The Nervous Card
  • The Invisible Silkworm
  • Domination Of Thought
  • Thoughts Are Things
  • Mediaeval Multiplication
  • The Bluebells
  • Fantail

1st edition 1935, 40 pages; 1st digital edition 2019, 37 pages.

From the preface:

The art of the conjurer.

Neo-Magic is the foundation for all of Sharpe's writing. Sharpe offers great insight into what makes magic magical. Starting with an analysis of art and its relationship to magic, Sharpe explores what he feels is needed for magic to become a fine art. He provides his insight into topics as originality, patter, styles of presentation, program construction, stage fright and others.

From the preface to the second edition: