Magic & Conjuring: page 353

6 beautiful effects that are stronger than The Hulk!

When I was a kid, I purchased magic books from the 1800s by Prof. Hoffman, Herrmann, Jean Robert-Houdin, and a host of other magicians who I've never heard of before ... these books were old, with very yellowed, brittle pages, with artwork that was quite intricate and very Victorian.

But what stood out most to me, were how many times these books would mention performing in, or retiring to "the drawing room" ... this term really intrigued me.

These stellar effects within, will "spark" those magical times in your lives that have lasted us for so many years.

Effects: ...

Here, Doug MacGeorge presents a streamlined version of his famed "30 Second Memorized Deck." Demonstrate to your audience that you can memorize a deck of cards in about 30 seconds:

• This all-new version is a perfect mentalism piece for close-up or standup.
• It uses only half the deck, so it's faster and easier, and it amazes audiences of any size.
• Required: a deck of cards, which can be borrowed. Also required is the ability to perform basic arithmetic.

During the first lockdown period, we lived separated from the world, connected to friends only with the phone; to please my friends I started looking for effects to be presented remotely to people connected, without phone videoconferencing, so that they can use their deck of cards or objects at their disposal, without my possibility to operate, except by checking the game instructions.

I searched for automatic effects and found principles that in some cases were a few centuries old; others, more recent, often conceived by famous and illustrious names; many of these, when they were published...

Hundert erprobte und effektvolle Kartenroutinen. Aus dem Vorwort:

Aus der Einleitung:

Tips and tricks from a Vaudeville professional including openers, audience appeal, costume, make-up, and a lot more. The ideal is to have a director who pays attention to these areas, but most magicians are performers and directors rolled up into one person. It is therefore important to read and study showmanship and presentation.

From the introduction by Park Shackleton:

A tale of modern black art. A thrilling story of love and mysticism.

In the Victorian age, spiritism and mysticism were big business. Therefore it is no surprise that a muscle reader like Stuart Cumberland tried to take advantage of it and wrote stories based on his experience as a 'thought reader'.

This story was also published under A Fatal Affinity: A Weird Story

1st edition 1889, 93 pages; PDF 116 pages.

David Roth was fooled when Gregg Webb showed him this smooth gallop of visual coin magic. Required are four matching ungimmicked coins. Also required is the ability to classic palm two coins, and release one.

1st edition 2021, PDF 1 page.

A multi-phase telepathy or telempathy routine that is unique, entertaining, and profound.

A volunteer selects several random objects on which to focus attention and memory. Sitting back-to-back with no possibility of visual cues of the objects or body language, the performer reveals glimpses of information received through mind-to-mind communication. There are multiple sensory events with different depth and clarity, always different in each presentation. The audience members are participants and not just observers and also serve as referees.

This is a stripped-down version of a routine...

If you want to do more than just poker deals, consider adding this fascinating routine of bridge table magic to your act. This title has been long out of print, and now it's back and better than ever for a new generation of audiences and performers.

After a game of bridge, your audience is already in a card mood. That's the perfect time to introduce this compelling routine where one miracle flows seamlessly into the next.

From the introduction by Howard P. Albright

The mentalist invites four spectators for a drawing experiment. Three of them are asked to draw while the fourth spectator acts as a medium between the mentalist and the other three spectators. The mentalist is able to identify the owner of the drawings, including the chosen drawing of the fourth spectator, and then finally, the mentalist demonstrates his skill in drawing duplication.

• No force
• No setup
• No stooges

• What the Spectator Experiences
• The Secret
• Background History
• Breakdown of the Method
  • Props Needed
  • Marking the Cards
  • Card Orientation
  • Spectators' Roles ...

Aus dem Vorwort:

Honestly, I have not been able to trace the author of this principle, which I think is lost in the mists of time. My Master of Mentalism Valerio Bovolenta taught me, and I want to give credit to him. I have done nothing but study it and try to indicate a method to be able to propose it with any number of cards.

The procedure is very simple: the spectator chooses how many cards he wants to use, puts away the remaining cards (they will not be used further), shuffles the cards he chose and, on the instruction of the performer, chooses a number, looks at a card, and reassembles the deck; even...

Fogel's original patter, presentation, handling, and routine are all here. It's an effect that helped take Fogel to the top. It can do so for you.

A trick that took Fogel into many newspaper headlines. This is Fogel's original creation. You walk into any room and ask any person present to collect a few different newspapers ... any type ... any date. Whilst this is being done you write a prediction on a slate, board, or piece of paper according to the conditions under which you are working. This prediction is left in the possession of a spectator. They now select one of the newspapers...

Paul Rosini was one of the all-time 20th Century greats of the magic world, with numerous contributions in print and a reputation that few have approached. His skill and charm guaranteed him a permanent niche in the pantheon of card magic.

In this exclusive manuscript, Ian Baxter offers up his handling of three Rosini favourites - The Peek Trick, Follow Your Card and Change In Hand. Once again Baxter turns his thoughts towards a touch of streamlining and simplifying, utilising the most basic of sleights to achieve the self-same effects that Rosini presented.

This trio is a game-changer...

Two decks are shuffled by a spectator. His/Her choice who gets which deck. They each choose any card, and it will match. Don't be put off by the simplicity of the trick, as it can be repeated over and over again and still impress each time.

1st edition 2021, PDF 5 pages.

This is an effect that Joseph is very proud of. When this was released it fooled top card magicians because of its diabolical method. There really seems to be no explanation. The magician is able to find the card chosen by the spectator under extremely tight conditions. The performer always looks away and the deck will be completely shuffled by the spectator. All this with a normal deck of cards. Joseph has cleverly combined two known methods to create a strong routine.

• A normal deck
• No gimmick
• No marked cards
• No peek

video 23:43 s

In many mentalistic effects, the spectator answers the performer's questions in a sincere way or not, without the performer knowing the choice made.

The concept of "lie or truth" makes the effect stronger and the idea that the illusionist guesses however reinforces the memory of an effect as an exceptional event, almost a miracle.

In the effect presented here, a further degree of freedom has been added: after the first response, the viewer can decide whether to maintain the same behavior (lie / truth) or if he prefers to change it.

In practice, the two answers can be LIE / LIE, TRUTH...

The very first issue of "Aether" featured an exploration of Gregg's "Ink Flight" effect. The concept is stunning: a spectator's signature travels across space to appear on a selected card. This all-new version enables you to accomplish this miracle with sleight of hand and simpler props (with credits to Ed Brown). Required are:

• A one-way forcing deck
• A set of double-blank cards
• A Sharpie

Hand-lettered text with illustrations by Gregg Webb.

1st edition 2021, PDF 5 pages.

Owning Pretty N Propless, although advisable, is not necessary to understand and use the principles and effects in this Nxt Gen version.

At its core, this is a quick, high-impact propless piece that you can deploy in almost any situation like on a voice call, in a virtual show, face to face close up, parlour, street etc. The performer divines a word being thought of by a participant.

But the true power is in its mind-boggling range of possibilities. You can literally plant any one of several different possible words in a participant's mind and seemingly read their mind to exactly divine that word. The...

"I think it is very good" - Marc Salem

"Amazing" - Ever Elizalde

The spectator hides an imaginary object and the mentalist is able to determine its location.

• Does not use truth-teller/liar plot
• The spectator answers the questions in their mind
• Can be performed via video call
• Can be performed via phone call
• Propless

1st edition 2021, PDF 9 pages.

A unique coin routine similar to CSB, but using coins you already own. Using the enhancements of sway methods, these coins transpose in ways not possible with traditional moves. Two and then three coins handled by spectators jump from one hand to another, then from pocket to hand, and finally to a spectator's hand. These coins take on an international identity and cultural bias that is amusing and mystifying.

This is a multi-phase routine involving three different types of coins that goes far beyond a traditional C/S/B approach. A Kennedy Half, English Penny, and Chinese coin are used...

E’ con grande piacere che presentiamo per la prima volta al pubblico dei prestigiatori Italiani questo bellissimo quanto ricco lavoro di Ken De Courcy. La Forzatura “I.D.E.U. ( In lingua originale PATEO) è una delle più versatili e apparentemente innocenti che siano state ideate. I.D.E.U. è un acronimo per “Indicane Due Eliminane Una”. Infatti un qualsiasi numero di carte (o oggetti) viene disposto sul tavolo in qualsiasi ordine e alternativamente lo spettatore e l’esecutore ne coprono due con le mani e una carta viene eliminata liberamente ogni volta. Eppure, questo processo...

Eine Sammlung von netten Kartenkunststücken des erfolgreichen Wiener Zauberkünstler's Fred Roner. Inkludiert ist ein äußerst interessanter biographischer Artikel über Roner von Richard Hatch.

• Fred Roner: Kartenkünstler, Bühnentaschendieb, Maler (Richard Hatch)
• Sie haben dieses Buch gekauft!
• Die Presse und ich.
• Kartenraten.
• Kein Titel?
• Mit Würfeln und Zündhölzern.
• Die drei Gerechten.
• Welche Karte fehlt? (2 Methoden)
• Ich hab’s ja gewußt!
• Verschwunden?

Erstausgabe 1929, 16 Seiten; PDF 20 Seiten.

Some have argued that George Kaplan's Fine Art of Magic is the best magic book ever published. Juan Tamariz, who wrote a foreword to this second edition, says: "Hardly a performance where I do not include an effect from this book. It's the only book that contains only good and excellent tricks."

This magic treatise has stood the test of time. It has become a standard magic reference work. The First Edition is one of the most sought after magic books and is now available in its Second Edition, which incorporates additions and corrections from Kaplan's own notes, as well as adds more than 25% new and...